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Alnilam also contains impelling descriptions of aerial combat, though we learn later the stories are probably lies. Significantly, the accusation cannot lessen the imaginativeness of the narration. It is one of Dickey's better stunts: to portray the artist as an inspired liar who can convince us that boats float on grass and a book...

Author: /time Magazine | Title: Books: Into The Wild, Mystical Yonder ALNILAM | 6/29/1987 | See Source »

...line like this can be found in most films about Vietnam, films that seek to portray a tragically mistaken policy of a great nation sucked into a faraway land it did not know, to fight a war it could...

Author: By Jeffrey S. Nordhaus, | Title: AT THE MOVIES | 6/28/1987 | See Source »

...this first half of the film is occasionally confused, uncertain whether to portray Pyle as a comic figure or as a troubled man. His sudden psychopathy is barely convincing, because Pyle's getting his act together would have gotten the drill sergeant off his back. Kubrick seems slightly off the mark in portraying the tyrannical nature of the drill sargeant. The sergeant at times seems patriotic to the point of ridicule--tough so he can make his men great in the name of his country--but when he invokes the ghost of Lee Harvey Oswald as a great marine worthy...

Author: By Jeffrey S. Nordhaus, | Title: AT THE MOVIES | 6/28/1987 | See Source »

...Charles Schermerhorn Schuyler. In 1876 (1976), an older Schuyler returned home after years of self-imposed exile to witness both the theft of a presidential election and his daughter's cynical campaign to land a rich American husband. Lincoln (1984) was a lumbering but best- selling attempt to portray the legendary President through the eyes of three associates during the war-torn White House years...

Author: /time Magazine | Title: Books: The Veneer of the Gilded Age EMPIRE | 6/22/1987 | See Source »

Some of Vanderbyl's best work is found in a series of posters depicting postmodern architectural whimsies. He is wont to portray almost any three- dimensional object in gaily colored axonometric view, and the effect is a sort of jaunty rigor, Bauhaus on holiday. Another of Vanderbyl's fun-with- geometry motifs is a flurry of polychrome squiggles tossed onto a severe black or white field. In catalogs for Hickory Business Furniture, he has roughly scribbled in color over precise black-and-white photographs of chairs -- once again, antagonistic design impulses in playful coexistence...

Author: /time Magazine | Title: Design: Nouvelle Cuisine For the Eyes | 6/8/1987 | See Source »

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