Word: possessives
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Dates: during 1970-1979
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...stones-and when they did, they used them to embellish essentially sculptural designs. It was only in later times that gems themselves became jewelry's raison d'être: partly because craftsmen learned to cut them to reveal their undeniable beauty, partly because they were believed to possess and emanate magical powers. As late as the 15th century, emeralds were prescribed as cures for epilepsy, dysentery and failing eyes, as guards against evil spirits and sure protectors of chastity. By the 20th century, says English Jewelry Expert Peter Lyon, "jewelry had declined to a point where...
There is a three-way race in the National League. Matthews North leads the pack with a 3-0 mark. Pennypacker and Holworthy each possess 2-1 records. Pennypacker's only loss has been to Matthews North, while Holworthy dropped their contest with Pennypacker. If Matthews North wins their upcoming game against Holworthy on January 4, they should have first place sewed...
...works are capital invested in what Cesar Pavese called "this business of living." Obscure testaments to how eclectic our recorded knowledge has become, writers like Eddington and Vambery (I could name Leon Bloy, Jacques Riviere, and Paul Nizan as well) remind the reader that a multitude of others who possess little reputation have written in the same spirit as the reader reads: their interest was in the chronicling, the renovation of their own experience, and all of them wrote in the hope that such an operation would be valuable to their audience. In this instance, Eddington's treatise...
...LIBRARY, then, exhibits a rather unusual number of books by Delmore Schwartz and Issac Rosenfeld, two writers who possess reputations even though their works are not read. Schwartz's unprocurable volumes are lined up on the shelves, all seven of them borrowed from Widener Library and long over-due. Except for Summer Knowledge, the poems, these are first editions, none of which have ever been reissued. The stories, the verse play Shenandoah, the prose poems and sonnets in Vaudeville for a Princess (a copy of which I passed up in a Washington D.C. antiquarian dealder's shop because...
Manic as Samaras' "transformations" are, they still possess a system and a history; his subverted objects have a common ancestor in Meret Oppenheim's surrealist icon of 1936, the fur-covered cup, saucer and spoon. Yet they are not mere footnotes to Surrealism. Samaras has a way of undercutting, or predicting, his more "mainstream" contemporaries; in 1961, for instance, he laid 16 square textured tiles flat on the ground, four by four, as a sculpture. In the Whitney, it looks like a waggish parody of Carl Andre's floor pieces-until you remember Andre's sculptures...