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...local missionaries livid. Less than two years after his arrival, he was dead at the age of 54 from self-induced dosages of morphine to dull the pain of his virulent syphilis. Practically unknown and penniless during much of his life, Gauguin is now considered the most important post-Impressionist painter who ever lived...

Author: /time Magazine | Title: A Brush with Gauguin | 6/11/2009 | See Source »

...grandeur with its rococo plasterwork ceilings, antiques and Irish fabrics, the Merrion Dublin (www.merrionhotel.com) has one of the most important collections of Irish art outside a conventional gallery - and it's constantly evolving as proprietor Lochlann Quinn makes fresh purchases. The explosive color and intensity of nudes by Irish Post-Impressionist Roderic O'Connor, a close friend of Gauguin's, contrast strikingly with the simplified shapes and subtle lighting in William Scott's kitchen-implement still lifes. The collection also features powerful observations of Irish rural life by Jack B. Yeats, brother of the poet, haunting society portraits by John...

Author: /time Magazine | Title: Viewing Rooms | 9/3/2008 | See Source »

...Tantric-inspired oil painting by India's Syed Haider Raza. Even in Vietnam, idyllic rural scenes coated in the country's distinctive lacquer that sold for a few hundred dollars a few years ago are now selling for 10 times that. A gouache-and-ink painting by Vietnamese post-impressionist Le Pho, whose work is part of the permanent exhibition at the Modern Art Museum in Paris, captured nearly $250,000 at a Singapore sale. Overall, leading auction houses Sotheby's and Christie's auctioned $190 million in contemporary Asian art last year, compared to $22 million just two years...

Author: /time Magazine | Title: The Color Of Money | 11/1/2007 | See Source »

...visited this summer seemed well prepared to cater to this special audience. In Berlin, the Neue Nationalgalerie—housed in Mies van der Rohe’s great modernist shell—gutted its permanent collection and put up a massively advertised show of French impressionist and post-impressionist art from the collection of the Metropolitan Museum in New York. Tickets were expensive and lines were long, but Berliners flocked to the exhibit. Everyone seems to love 19th-century French painting. It’s instantly recognizable, aesthetically unobjectionable, and easily digestible for the casual viewer. Likewise, Boston?...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: Europe's Big-Bucks Museums | 9/27/2007 | See Source »

...significant body of his work - at least 50 of his bold and colorful paintings - made their way to the city in the dying years of the 1800s and the stirrings of the new century. The story of how two American collectors, Egisto Fabbri and Charles Loeser, introduced the Post-Impressionist's art to Italy, and how it influenced painters there, "could have been a film," says 19th century art scholar Francesca Bardazzi. That movie would tell "the fascinating story of two American collectors - rich, handsome, young, the first collectors of Cézanne, the first to understand...

Author: /time Magazine | Title: Making Waves in Tuscany | 3/7/2007 | See Source »

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