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Word: postcarder (lookup in dictionary) (lookup stats)
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...right holes. As they cannot think, they cannot be impressed; they are clods. The only way to beat their system is to cheat.) In the humanities and social sciences, it is well to remember, there is a man (occasionally a woman), a human type filling out your picture postcard. What does he want to read? How, in a word, can he be snowed...

Author: NO WRITER ATTRIBUTED | Title: A Grader's Reply | 1/19/1994 | See Source »

...guitar lines and David McClymont's bass playing, which draw attention to the start of each melody, then deliberately hide it amid equally alluring countermelodies. (I always remember how each early Orange Juice song begins, and almost never how any of them end.) The amateur connoisseurs in their Postcard days also knew how to handle production: nothing is muddy or inarticulate, but nothing is overbright or "too produced" or metallic or synth-damaged either. Nor is there a horn section. When Orange Juice signed to a major label, the evil corporate geniuses who did the signing persuaded them...

Author: By Steve L. Burt, | Title: Citrus and Paradise | 12/2/1993 | See Source »

ORANGE JUICE The Heather's On Fire(Postcard (UK)) and Ostrich Churchyard (Postcard...

Author: By Steve L. Burt, | Title: Citrus and Paradise | 12/2/1993 | See Source »

This kind of quietly self-punishing, ultimately uplifting pop came out of Glasgow on a regular schedule between about '79 and '81, most of it on the Postcard record label. Postcard featured four bands: Josef K, the Go-Betweens, Aztec Camera--pre-Dire-Straits-on-downers Aztec Camera--and our rangy heroes, whose Postcard releases have been harder to find than true love for the last, oh, ten years. Postcard's head honcho revived his label last year, and two of the results so far are The Heather's on Fire--which collects all of Orange Juice's early...

Author: By Steve L. Burt, | Title: Citrus and Paradise | 12/2/1993 | See Source »

...pleasures of this movie are too many to recount. The film works on so many levels at the same time that at moments you don't know what has hit you. Photographed by Stuart Dryburgh, "The Piano" is visually stunning, but its beauty is not of the empty picture-postcard kind. The visual texture of the movie is integral to Campion's vision. Michael Nyman, best known for scoring Peter Greenaway's movies, has written a haunting score that captures the essence of each character...

Author: By Joel Villasenor-ruiz, | Title: Play It Again, Jane. | 12/2/1993 | See Source »

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