Word: posterishly
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...characteristic is a sort of soothing, high-minded laboriousness that stands in for energy of conception. Still, their depiction of colored solids often has the decorative charm of the geometrical illustrations in old emblem books, and the color, saturated and speckled, is a big step up from the normally posterish hues, alternating between bland and blatant, of LeWitt's earlier work...
...exact image he will do it to is as yet unknown. It will be done very well, probably on a huge canvas, with perfect decorum and an unfaltering sense of design, every black line in its right place, not a slippage in the stripes and Benday dots. Its flat, posterish colors will read with infrangible aplomb. It will parody other art, as in the past Lichtenstein's work has parodied everything from Art Deco to synthetic Cubism, from Franz Marc's horses to Monet's versions of Rouen Cathedral, from Mondrian's squares to the generic brushstroke of late Abstract...
...what turned Davis into a complete original was his perception of and enthusiasm for the city. Nothing in French art, other than Leger, resembled Davis' syncopated images of urban life. The blaring posterish color- yellows, scarlets, blacks, emerald greens, a high obtrusive fuchsia - and the writhing knots of line, the words blinking like neon signs, the beat and pulsation of the space: this was visual jazz, American-style, and in deed some of Davis' titles, like The Mellow Pad, 1945-51, were couched in the musicians' argot...
...Indignant Eye by Ralph E. Shilces. 439 pages. Beacon. $12.50. From Hieronymus Bosch to Picasso, the author explores the lives and times of famous artists and the hot issues that caused them to turn their hands to political cartoon, savage caricature and posterish polemic. Hundreds of black-and-white illustrations do justice to the likes of Jacques Callot, Lucas Cranach, George Cruikshank, Daumier, Courbet, Rouault, Käthe Kollwitz and George Grosz. Fascinating, especially for an age of rage, despair and pungent partisanship...
...made A-bombs, 3) the "horrors of bacteriological warfare." What they were for: "An art which will draw inspiration from socialist realism and be understood by the working class." Among the signers was one French artist who has tried just about everything except the flat, travel-posterish style of "socialist realism" and who has never seemed to worry much whether the working class understood him or not. His name: Pablo Picasso...