Word: posterity
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...poster boy for well-timed turnovers was senior defensive back Sean Tracy, who twice killed the Leopards’ momentum by perfectly anticipating quarterback Brad Maurer...
...Floridian group Further Seems Forever was originally fronted by emo poster boy Chris Carrabba. He went on to start his own band, Dashboard Confessional, and catapult to fame and fortune. But Carrabba’s old band continued to make its Christian-tinged power pop with new singer Jason Gleason. With three albums under its belt, Further Seems Forever seems to have proved its staying power. Opening up the stage are The Kicks, Brandston and Moments in Grace. 18+. Tickets $13. 6 p.m. Axis, 13 Lansdowne Street, Boston...
...addition to hosting last night’s party—which featured vodka, music and a laptop where students could vote—the Vote or Die Family has helped candidates poster and door drop, and hosted a workshop on running a successful campaign this week...
...Towers--the title is a bad poem in one line--is Spiegelman's very personal take on the destruction of the World Trade Center in 10 monumental (14 1/2in. by 19 1/2in.), full-color episodes. The attacks left Spiegelman in a traumatized, neurasthenic state. (MISSING, proclaims a poster, A. SPIEGELMAN'S BRAIN LAST SEEN IN LOWER MANHATTAN, MID-SEPTEMBER 2001.) For the comic literate, No Towers is a riot of intermittently brilliant formal play. Panels crowd and overlap and invade each other, and Spiegelman mimics a dozen visual styles. A man plummeting from the World Trade Center echoes Winsor McCay...
...Towers--the title is a bad poem in one line--is Spiegelman's very personal take on the destruction of the World Trade Center in 10 monumental (14 1/2in. by 19 1/2in.), full-color episodes. The attacks left Spiegelman in a traumatized, neurasthenic state. (MISSING, proclaims a poster, A. SPIEGELMAN'S BRAIN LAST SEEN IN LOWER MANHATTAN, MID-SEPTEMBER 2001.) For the comic literate, No Towers is a riot of intermittently brilliant formal play. Panels crowd and overlap and invade each other, and Spiegelman mimics a dozen visual styles. A man plummeting from the World Trade Center echoes Winsor McCay...