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Word: posters (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...then I stumbled upon the epic to end all epics, the terror to transcend all terrors--Happy Birthday to Me! was its name. "Find out the disgusting ways six snobbish high school classmates die." I studied the poster. A screaming student is pinned into the upper left-hand corner by a dominant shish-ke-bab. The top line of the poster reads. "Find out why Richard never ate shish-ke-bab again!" I don't care if this is parody. This is beyond human. I cringed picturing the meat popping out the back of his neck. But the worse...

Author: By David M. Handelman, | Title: The Horror, The Horror | 5/1/1981 | See Source »

...president of the Harvard-Radcliffe Conservative Club (HRCC) in two separate letters issued to Archie C. Epps III, dean of students, and the Harvard Radcliffe Gay Students Association (GSA), refused to apologize for an April Fools Day poster distributed by the HRCC and called for a "reprimand or formal censure" of GSA members...

Author: By Sandra E. Cavazos, | Title: Club Refuses to Apologize For April Fools Day Poster | 4/7/1981 | See Source »

...other groups reacted angrily to the poster, which listed as its sponsors "U.G.L.Y. (United Gays and Lesbians for Yuks), the Harvard Football Team Lesbians, and the Society for the Riddance of Fat. Hideous, and Shrill-Voiced Feminists...

Author: By Sandra E. Cavazos, | Title: Club Refuses to Apologize For April Fools Day Poster | 4/7/1981 | See Source »

...letter addressed to the GSA. Hilary A. Kinal, president of the HROC, called the GSA's reaction to the poster "over-sensitive, anti-social, and paranoid" and suggested that members "move to Communist Cuba, where homosexuals are put in jail, so that you could have a real enemy to fight...

Author: By Sandra E. Cavazos, | Title: Club Refuses to Apologize For April Fools Day Poster | 4/7/1981 | See Source »

What doth it profit an animation director if he dreams big but draws bad? Bakshi's characters have ill-defined noses and chins, they shrug and dislocate a shoulder, they sing and recede into Peter Max poster-haste. Their gestures and voices are grossly exaggerated; they all seem to have gone to Actors Studio and learned only to overact. They are Bakshi's image of America: searching for archetypal dreams, living out clich...

Author: /time Magazine | Title: Cinema: Punk Fantasia | 4/6/1981 | See Source »

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