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...charm to more than 125 movies over a half century; in Paris. A two-time winner of the César award (France's Oscar), he gained global fans as a weary film projectionist in 1988's Cinema Paradiso and as the poet Pablo Neruda in the 1994 hit Il Postino...

Author: /time Magazine | Title: Milestones Dec. 4, 2006 | 11/26/2006 | See Source »

...more than 125 movies over a half century; in Paris. A two-time winner of the César award (France's Oscar), he gained global fans as a weary film projectionist in 1988's Cinema Paradiso and as the poet Pablo Neruda in the 1994 hit Il Postino...

Author: /time Magazine | Title: Milestones | 11/26/2006 | See Source »

...directors who work in foreign languages, America has scant appreciation. Even with spillover grosses from the 1995 Italian hit Il Postino, last year's foreign-language earnings amounted to less than 1% of the total U.S. box office. This is down from 4% to 5% in the 1960s, when foreign-language films were the intellectual rage du jour and an inspiration for smart Hollywood directors. Today, with an adventurous spirit and a full tank of gas, you might track down a small gem like Patrice Leconte's Ridicule, a period comedy with rapier wit, or Claude Chabrol's La Ceremonie...

Author: /time Magazine | Title: CINEMA: FELLINI GO HOME! | 10/20/2005 | See Source »

With audiences hostile to innovation, and in the absence of franchise directors, distributors look for movies that stress heart over art. The three breakout foreign-language hits of the '90s--Cinema Paradiso and Il Postino from Italy and Like Water for Chocolate from Mexico--are nice romantic dramas about love and loss. They were brilliantly promoted by Miramax. But they didn't extend film language as Fellini's or Godard's films did; instead, they gave audiences that warm-puppy feeling. Any Disney movie can do that. So can many of the American independent films that have filled...

Author: /time Magazine | Title: CINEMA: FELLINI GO HOME! | 10/20/2005 | See Source »

...leading lady. "It's crazy to see how people like the movie in England, Switzerland, Japan," says the dark-eyed Tautou. "There's so much fantasy and so many ideas in just one movie. Everyone can relate to one of these ideas." Miramax Films, which distributed Il Postino, Life Is Beautiful and Chocolat, bought Amelie for the U.S. and has an idea of its own: to duplicate Amelie's success in America. It's the company's Oscar-push picture. Miramax is banking that this intimate epic has the charm and pulse to seduce viewers here...

Author: /time Magazine | Title: Cinema: Affairs Of The Heart: Audrey Tautao | 11/12/2001 | See Source »

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