Word: postmodern
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...fast-paced first act, the second half becomes weighed down in soul-searching soliloquies, a last try at serious reflection that comes too late in the show. Otherwise Greater Tuna's frank attitude that life is dull only if you think about it serves up raucous relief from postmodern boredom...
...pace just a little fizzier than the merely lifelike, encouraged his cameraman Michael Ballhaus to light it one notch brighter than reality, one notch darker than fantasy. His splendid actors never pause to explain their strange behavior. The result is a delirious and challeng- ing comedy, a postmodern Ulysses in Nighttown...
This draining of the sense of the masterpiece affects both present and past. It makes past art look ghostly and value-free, so that it can be quoted and ^ shuffled at will, without deference to the values it once embodied. Hence the postmodern assault on the chief form of classical modernist painting, abstract art. A general culture glut opens the present to a limitless eclecticism and disarms taste by making everything "interesting." And, as the critic Charles Newman argues in the most provocative book on this problem yet written by an American, The Post-Modern Aura, its net effect...
...mass-produced; each piece of tubing must be heated and then bent by hand. There are only a few hundred neon artisans left in the country, and their average age is 50. Now, however, a dozen schools have opened to train newcomers. Architects are turning to neon to ornament postmodern designs, especially by tracing structural shapes and highlighting details. Slender ribs of blue neon provide elegant illumination for the walkway of a building in New York City's financial district. Uptown, Steven Panzarino, a New York City architect, is using neon for elevator indicator lights, recessed into the walls...
...frescoed acre by artists like Caravaggio's early master Giuseppe Cesari, alias the Cavaliere d'Arpino. Limp, garrulous, overconceptualized and feverishly second hand, Roman art in 1590 was in some ways like New York art four centuries later. Against its pedantry--the seicento equivalent, perhaps, of our "postmodern" cult of irony--Caravaggio's work proposed a return to the concrete, the tangible, the vernacular and the sincere. For all the theater and guignol in his work, Caravaggio had far more in common with the great solidifiers of the Renaissance, from Masaccio to Michelangelo, than with the euphuistic wreathings of late...