Word: postmodernist
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...notes proudly. "She now seemed aware of the implications of the term slave trade." True, there are occasional wry moments. Stanley Fish, the avant-garde chairperson of the English department at Duke, proclaims that the university's commitment to affirmative-action hiring is a way to seize "our historicist, postmodernist, poststructuralist moment...
That is sage advice for viewers of Earth Girls Are Easy, the movies' first postmodernist musical comedy. This divine diversion is best approached in a fruit-cocktail state of mind. With its amiable aliens getting their pop culture out of a TV set and its hydraulic surf bunnies singing "I can't spell VW but I got a Porsche, / 'Cause I'm a blond," Earth Girls sounds like a quick mix of E.T. and Beach Blanket Bingo. But it's really a revved-up tribute to postwar Hollywood style: the vulgar vitality, the supersaturated colors, the new aristocracy of teen...
...unconventional cropping, his "coldness." The long continuities of his work have not always been obvious. Degas was the most modern of artists, but his kind of modernity, entailing a passionate working relationship with the past, hardly exists today. How we would have bored him, with our feeble jabber of postmodernist "appropriation...
...live outside the state (in contrast to 50% of Disneyland's 12 million), the company is aggressively building hotels to capture the business of guests who previously lodged outside the park. In January, Disney announced plans for a $375 million twin-hotel complex designed by Architect Michael Graves, a postmodernist who has playfully topped one building with two five-story-tall dolphin sculptures and another with two four-story swans. Eisner, who wants Disney to become known for its architecture, says grandly, "They're going to be important monuments in this country...
...intense) and sometimes sounds like a Jungian therapist ("I get clients to explore their fantasies"). He lives in neither of the two U.S. Architect Belts (Boston-New York- Philadelphia, Los Angeles-San Diego), but in plain, out-of-the-way Albuquerque. His work is not strictly modernist or postmodernist, classical or avant-garde; the pigeonholes do not apply. Predock, a self-described "cosmic modernist" who senses the "emanations" of a particular building site and says only half jokingly that he "would rather talk about UFOs than Palladio," is nevertheless creating a remarkable body of work -- tough and sensual, fabulously imagined...