Word: postmodernity
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...this New Year's will be to celebrate the end of the Mariah decade. Her record sales throughout the '90s have grown to rival those of Elvis and the Beatles, and to many ears the Mariah sound has grown indistinguishable from the endless cosmetics aisles and multiplexes of our postmodern world. But there's no pot of gold at the end of Rainbow. The album strips that sound down to its purest form, cleverly obfuscating Mariah's predictably smarmy lyrics with sonorous mumblings, so that we can clasp Mariah's vocal range to our hearts without having to trouble with...
...sexiness of much of the rest of the album, it is followed by the anthemic "Nicotine & Gravy." "I think we're going crazy/Things don't even faze me...Love the way she plays me" goes the chorus, and so goes the album, rambunctiously rhyming away the contradiction of every postmodern fiction. From this point on, the first half of Midnite Vultures maintains its energy with some of Beck's best ever lyrics supported by beats indebted, impressively, to both hip-hop and techno...
...Vegas is Disney World up 30 notches times 30 hotels. It's the ultimate postmodern landscape--a dizzying simulacrum of our collective consciousness. In other words, it is pop culture. Just take a virtual journey down the Strip--the pirate-themed Treasure Island, the luxurious tropical visions at the Mirage, the canals (with gondola rides!) and warm cannolis at The Venetian, the Arthurian legend at Excalibur, the cobblestone streets surrounding Lake Como at the $1.3 billion Bellagio, etc. etc. Where else in the world can you wake up and look out one window and see the Eiffel Tower (a half...
...indulged in a cartoon that purposely surfed right over the kiddie's heads, providing pretty eye candy for tots and self-referential fun for the big ones. While Disney went back to its melodramatic basics for its feature-length animation of the '90s, Pixar adopted a distinctly modern--practically postmodern--sensibility. Each scene in Toy Story and the even better A Bug's Life (1998) has epic ambition: to touch the heart, engage your brain, tickle the funny bone. Did we get any of that in Pocahontas? Or the god-awful Prince of Egypt? Pooh. Toy Story 2 proves that...
...Internet has produced its first postmodern superhero in the form of MAHIR CAGRI, a 37-year-old man with a beak nose and, by his own admission, an interest in Ping-Pong, sex and playing the accordion. "I Kiss You!!!!!"--runs the greeting of the Mahir home page--a normal enough salutation in his native Turkey but a thrill to the hordes of fans who have sent e-mails recommending his site to friends. Cagri, who "invitates" any young women coming to his hometown of Izmir to stay in his home, has provoked Clinton-based parodies, flash animations...