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Most of the IBA buildings were designed between 1979 and 1984, at the peak of international postmodern fervor. Rather than returning to neoclassical forms, as postmodernism has generally meant in the U.S., the IBA architects have tended to borrow from the early 20th century avant-garde. Aside from Kleihues, Rob Krier is probably more responsible for the results than any other architect. He was master planner for three important IBA blocks. While none of Krier's IBA architecture is great, all of it is good. His best is the main building (of nine) of a rather formal housing estate near...

Author: /time Magazine | Title: Design: Rebuilding Berlin - Yet Again | 6/15/1987 | See Source »

Leland has almost succeeded in putting together the perfect postmodern Southern novel--you can taste the chunks of Faulkner, Warren, and Flamingo Road that he has dropped in his literary Cuisinart and spread across the pages. The only thing is, Leland has ground his sources so fine that Mrs. Randall lacks the kind of semi-mocking tone that gives the post-modern credo its camp appeal. Instead, Leland has invested his novel with the virtues of the great Hollywood dramas of the 20's and 30's, where plots and characters you had seen many times before were distilled...

Author: By Cyrus M. Sanai, | Title: Teaching and Doing | 6/9/1987 | See Source »

Some of Vanderbyl's best work is found in a series of posters depicting postmodern architectural whimsies. He is wont to portray almost any three- dimensional object in gaily colored axonometric view, and the effect is a sort of jaunty rigor, Bauhaus on holiday. Another of Vanderbyl's fun-with- geometry motifs is a flurry of polychrome squiggles tossed onto a severe black or white field. In catalogs for Hickory Business Furniture, he has roughly scribbled in color over precise black-and-white photographs of chairs -- once again, antagonistic design impulses in playful coexistence...

Author: /time Magazine | Title: Design: Nouvelle Cuisine For the Eyes | 6/8/1987 | See Source »

...example, the Ancient Egyptians thought death was like life, only more conceptual--so they wrapped their former pharoahs in ace bandages and secreted them in vast, angular postmodern structures built of stone. Moslems, on the other hand, have traditionally thought of the afterlife as a paradise of inlaid patios and plashing fountains, in which the True Believer could sit forever, dandling plump breasted houris and rosy bottomed boys upon his knees...

Author: By Richard Murphy, | Title: Chiller Theater | 5/13/1987 | See Source »

...interviews with Ronald Reagan, Corazon Aquino and Ethiopia's Mengistu Haile Mariam. Our coverage ranged from the protracted agony of South Africa to the outpouring of People Power in the Philippines, the tragedy of Challenger to the triumph of Voyager, the classical genius of Pianist Vladimir Horowitz to the postmodern wit of Pop Singer David Byrne. And we continue to receive accolades from our peers. In 1986 TIME won the National Magazine Award for excellence in design, and the Overseas Press Club singled out TIME photographers for the Olivier Rebbot Award for photographic reporting and the Robert Capa Gold Medal...

Author: /time Magazine | Title: A Letter From the Publisher: Feb. 2, 1987 | 2/2/1987 | See Source »

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