Word: postmodernized
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...tech, high-speed 1995 hit that proved 007 could compete with the big-bang action pictures while keeping some of his cheeky, retro spirit. Since then, the competition has only got brasher and more explosive, with plenty of pretenders to the throne--most recently, Vin Diesel's XXX, a postmodern grunge Bond who traded in his tux for tattoos. Says XXX director Rob Cohen: Bond "never learns anything ... He doesn't do much of anything except be titanium and eternally stuck in a time capsule...
...window by Louis Comfort Tiffany may be an unlikely venue for a dance troupe. However, the notion is not entirely alien to dance. The Judson Church in New York’s Greenwich Village was the place choreographers Trisha Brown, Lucinda Childs and Twyla Tharp collaborated to help create postmodern dance. Indeed, once pews have been removed, churches with their expansive nave and proscenium stage are ideal spaces for dance...
...impacting the integrity of the movie." In the age of Vin Diesel, do children really need to be protected from Pinocchio? "The notion of trying to shield children from violence is pernicious," says Richard Wunderlich, co-author with Thomas J. Morrissey of the recently published cultural study, Pinocchio Goes Postmodern (Routledge; 257 pages). "In Italy the church fathers were once concerned that Pinocchio encouraged rebellion, where the current concern is that the story seems to reward obedience." Collodi's original conception still speaks to modern souls, says co-screenwriter Vincenzo Cerami, because "he's innocent, full of life, existing...
...impacting the integrity of the movie." In the age of Vin Diesel, do children really need to be protected from Pinocchio? "The notion of trying to shield children from violence is pernicious," says Richard Wunderlich, co-author with Thomas J. Morrissey of the recently published cultural study, Pinocchio Goes Postmodern (Routledge; 257 pages). "In Italy the church fathers were once concerned that Pinocchio encouraged rebellion, where the current concern is that the story seems to reward obedience." Collodi's original conception still speaks to modern souls, says co-screenwriter Vincenzo Cerami, because "he's innocent, full of life, existing...
However, what is most striking about Anderson’s films is their underlying worldview. While the 1990s have been marked by a hip, detached postmodern sarcasm, Anderson shows compassion and understanding towards each of his characters and is in the end unapologetically sentimental and exuberant, refusing to hide behind today’s ever-present shield of irony. Though his films contain dark themes, they are ultimately hopeful and optimistic. Paul Thomas Anderson’s films are not for the timid, but those willing to experience them will be treated to a journey that is nearly impossible...