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This year's winning theses covered a vast array of topics--studying everything from new methods of poverty measurements to postmodern adaptations of fairy tales...

Author: By William M. Rasmussen, CRIMSON STAFF WRITER | Title: Hoopes Recipients Announced | 5/18/2001 | See Source »

...musical will probably have both critics and audiences debating whether it is art or just arty, and who knows if it can compete with the summer blockbuster bullies. This much is certain: you've never seen anything like it. Directed by Baz Luhrmann (Romeo + Juliet), Moulin Rouge is a postmodern, absinthe-fueled journey through the titular Parisian nightclub at the birth of the 20th century, set to mid- and late-20th century pop songs. Kidman stars as Satine, the doomed, ambitious courtesan torn between a penniless writer (Ewan McGregor) and a sugar-daddy duke (Richard Roxburgh). "She sings, she dances...

Author: /time Magazine | Title: Cinema: Madame Moulin | 5/14/2001 | See Source »

...stages. Initially there is a kind of troubled yet sweet awareness that the clock of the patient's mind is a few seconds off. Then an encroaching recognition of loss of function becomes less recognition and greater loss. Soon words and phrases are looped, like mad lines from a postmodern play; then Tourette's-like bursts, frags, some incomprehensible, some vile; then less of that, less of everything, until the mind is concentrated down to a curious stare. Even in death, my mother's face looked worried...

Author: /time Magazine | Title: The Disease That Takes Your Breath Away | 4/30/2001 | See Source »

...postmodern spin on the traditional sword-and-sandal epic, Russell Crowe stars as Roger Clemens, a Yankee pitcher who has completely lost his mind. He now believes that he is Rogerius Clemensius, heir to the Roman throne, and has been cheated out of succession by Mets catcher Mike Piazza. Armed with nothing but a 98 m.p.h. fastball and a fragment of a broken bat, he vows to exact revenge. Both drama and hilarity ensue...

Author: By Martin S. Bell, CRIMSON STAFF WRITER | Title: Saved By The Bell: The Envelope, Please | 3/21/2001 | See Source »

Having once riled Mayor Rudolph Giuliani with the "Sensation" show, the Brooklyn Museum has done it again with Renee Cox's Yo Mama's Last Supper, in which Cox features herself naked in the place of Christ. It's all just so much stale postmodern show biz, slick and corny at the same time. Don't let it divert you from Bob Greene's hot shots of Papua New Guinea or Beuford Smith's Hip-Hop poster series, highlights in an otherwise benign but mostly unremarkable show...

Author: /time Magazine | Title: Committed To The Image: Contemporary Black Photographers | 3/5/2001 | See Source »

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