Word: potatoes
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...range from sumptuous to spartan. At some senior bars, I've been offered more free drinks than I could possibly consume over a semester; on Wednesday night's sparsely attended gathering at the Bow, not only did I have to shell out change for Lilliputian-sized packets of potato chips, but my roommates and I discovered that the gaming policy was strictly BYOD (bring your own darts). Who walks around Cambridge with his or her own case of steel-tipped darts? Not anyone I would want to meet at Senior...
...called Phil. Even more, he was actually born in a log cabin, rode to high school on horseback and, without benefit of a university degree (indeed, at age 14), conceived the idea of electronic television--the moment of inspiration coming, according to legend, while he was tilling a potato field back and forth with a horse-drawn harrow and realized that an electron beam could scan images the same way, line by line, just as you read a book. To cap it off, he spent much of his adult life in a struggle with one of America's largest...
...photographs (like the hesitatingly named Untitled (Rolled Cheese)) are unidentifiable except as organic forms. Others, like Untitled (Lamp and Branch with Meat) and Untitled (Rabbit/Comb/Button), have been cast in roles that are alien to their natures. But in his most successful still lives, Untitled (Beans) and Untitled (Sausage and Potatoes), Wols takes his subjects out of our world, while retaining their physical presence (the shine of an overboiled potato, the turgid undulations of a bean's matte surface) and signifiers of the setting (the rounded edge of a table, the gleam of a pan's lid). More alive than...
...photographs (like the hesitatingly named Untitled (Rolled Cheese)) are unidentifiable except as organic forms. Others, like Untitled (Lamp and Branch with Meat) and Untitled Rabbit/Comb/Button), have been cast in roles that are alien to their natures. But in his most successful still lives, Untitled (Beans) and Untitled (Sausage and Potatoes), Wols takes his subjects out of our world, while retaining their physical presence (the shine of an over boiled potato, the turgid undulations of a bean's matte surface) and signifiers of the setting (the rounded edge of a table, the gleam of a pan's lid). More alive than...
...photographs (like the hesitatingly named Untitled (Rolled Cheese)) are unidentifiable except as organic forms. Others, like Untitled (Lamp and Branch with Meat) and Untitled (Rabbit/Comb/Button), have been cast in roles that are alien to their natures. But in his most successful still lives, Untitled (Beans) and Untitled (Sausage and Potatoes), Wols takes his subjects out of our world, while retaining their physical presence (the shine of an overboiled potato, the turgid undulations of a bean's matte surface) and signifiers of the setting (the rounded edge of a table, the gleam of a pan's lid). More alive than...