Word: potemkin
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Dates: during 1930-1939
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...Soviet Union overnight from high gear into low so far as the League is concerned. Soviet Foreign Commissar Litvinoff, whose voice at Geneva has been loudest against Il Duce, abruptly decided not to attend the League Assembly last week when it met to approve sanctions, sending instead Vladimir Potemkin, Soviet Ambassador to France. In Moscow leading Government newsorgans charged that Britain was attempting to "bribe" not only Germany but also Japan. Since these two countries are Russia's mortal enemies, Soviet statesmen feared that the bribes might be British promises of aid and comfort should they attack...
Shortly after she broke off with Orlov Catherine struck up the strangest of her partnerships-with Gregory Potemkin, one-eyed, clumsy, moody, brilliant. It was an alliance that soon ceased to be physical (Potemkin chose and dismissed her lovers himself) but remained intimate. Both profited by it; Potemkin to the tune of some 50 million rubles. They lived to see part of their dream come true: Russia mistress of the Baltic and the Black Sea, Russian frontiers pushed far into the west. But there came a day, when Catherine was 62, when she refused to dismiss her current lover...
...apart in spirit and institutions, the pact was signed and sealed last week not at one more Conference but at the musty but sumptuous old Quai d'Orsay. A Red with the same surname as Catherine the Great's spectacular paramour, Soviet Ambassador to France Comrade Vladimir Potemkin, signed with earthy, peasant-born black nostriled French Foreign Minister Laval a formal Treaty of Mutual Assistance important in itself and epochal in its implications...
Chief Russian delegate was that old veteran of Geneva conferences, roly-poly Foreign Commissar Maxim Maximovitch Litvinoff, but in future he will have two confreres to assist him. Vladimir Potemkin, Ambassador to Rome, and Boris Stein, Minister to Helsingfors...
...years. Since this excerpt from it, which the producers expect to follow with two more feature length pictures and a series of short travelogs, is unsatisfactory, the future of Eisenstein's monster is likely to be as controversial as its past. In 1931 Paramount hired Director Eisenstein, whose Potemkin and Ten Days That Shook the World were probably the best pre-talkie Russian cinemas to go to Hollywood. He worked for three months on An American Tragedy, was then re moved because he was "too unusual." Upton Sinclair and some of his friends put up $100,000, sent Eisenstein...