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...Dublin politicians saw her as a troublemaker who would use her potent legal skills to cross the boundaries of her job and challenge the government. Any such action, they feared, would damage the value of her nebulous office. No fracas has ever occurred. She showed her grasp of the presidency last March in the notorious case in which the government tried to stop a 14-year-old rape victim from going abroad for an abortion. Robinson spoke out, emphasizing the need for Irish society to confront the issue but not dictating the resolution. Characteristically, she saw a chance to guide...

Author: /time Magazine | Title: Symbol Of The New Ireland: MARY ROBINSON | 6/29/1992 | See Source »

...BOTTOM LINE: A potent pairing, but the brilliance may be too much of a good thing...

Author: /time Magazine | Title: Packaged Pyrotechnics | 6/8/1992 | See Source »

NEARLY 30 YEARS AFTER THE DRUG THALIDOMIDE WAS yanked from the consumer market, the mere mention of it can still evoke shudders of horror from those who came to know of its side effects. Marketed as a tranquilizer, thalidomide turned out to be one of the most potent causes of birth defects ever found. Babies born to women who took it during early pregnancy were born with terrible deformities, including missing or seriously misshapen limbs...

Author: /time Magazine | Title: The Case for Thalidomide | 4/27/1992 | See Source »

...fight communism came home in coffins, challengers assailed the President from the left, accusing him of bellicosity and offering themselves as champions of the soft option. At other times, when Americans were not directly involved in a shooting war but were worried about the Red menace, the most potent political attacks on the man in the White House usually came from the right; he was faulted for being too accommodating or insufficiently vigilant or both...

Author: /time Magazine | Title: America Abroad: Hot Issues Turn Cold | 4/20/1992 | See Source »

...Leverett House Arts Society production of Amadeus (directed by Grace Fan) effectively exploits this difficult but potent script, and presents an earnest reading of Shaffer's Salieri. Arthur Wu dominates the production with his impressive control of both voice and gesture, and makes the psychological portrait of Salieri's anguish convincing. Jessie Cohen plays an irrepressible and eminently likable Mozart, and the casting of a woman in the role of the composer-child emphasizes the youthful and effeminate side of the composer's character as Shaffer interprets...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

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