Word: pots
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Dates: during 2000-2009
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Conventional wisdom dictates that one person cannot make a difference. Bob Geldof has gloriously proved otherwise. Katie McNamara Redford, Mich. Beyond the Melting Pot...
...read your articles on America's new immigrants [SPECIAL ISSUE, July 8], but I do not think of our country as a melting pot. To me that term implies that we have all been reduced to one large blob. I prefer to think of us as a symphony orchestra. Each instrument retains its individuality, yet contributes to the whole. Zena Sky Kansas City...
...double-CD set opens with “Shaker” (from the 1993 album of the same name), a churning pot of jangly guitars that threatens to boil over as each tinny cymbal clang and distorted chord is added to the brew. The song is all twitchy, nervous-tic buildup; I’m searching here for a modern mainstream reference point, but coming up empty. This song, and those to follow, have a rich mellow ambience that no radio-friendly band has managed to emulate, but it’s notable that these tunes could fit comfortably...
...culminates in Scott’s own hastily constructed seminar, in which workers are given ethnic identities (attached to their foreheads on notecards) and asked to treat each other accordingly. “Stir the melting pot!” Scott yells, before welcoming an Indian co-worker to “my convenience store. Do you want a coo-ookie?” He summarily gets slapped...
Spider Woman was filmed in Brazil (in English), directed by the Argentine-born Hector Babenco from a script by the American Leonard Schrader and a novel by the Argentine Manuel Puig. This time the artistic melting pot bubbled to perfection. The film's gaudily stylized performances (notably Hurt's, which has grandeur about it), all its tonalities, both visual and verbal, are pitched one notch above the naturalistic. Thus Babenco may subtly explore issues, both political and psychological, that are usually dulled by moviemakers' earnestness and self-importance. Full of sudden startlements and twists, the film is delighted...