Word: poulenc
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...AFTERNOON CONCERT. Mozart, Don Giovanni Overture; Smetana, Czech polkas and dances; Monteverdi, Ballo delle Ingrate; Schubert, Divertissement a la Hongroise; Stamitz, Sinfonia Concertante in F; Mendelssohn, Quartet 6, opus 44; Poulenc, Aubade; Poot, Octet...
...twentieth century, when Debussy and Schoenberg made their experiments beyond the familiar ground of tonality, composers have been faced with the problem of choosing a style from a large and exceedingly miscellaneous group of alternatives. These days composers can pick from a selection that ranges from modified romanticism (Poulenc) or modified Puccini (Menotti) through Stravinsky's neo-classic manner to Schoenberg or Berg or exotic explorers like Varese. Of course, a composer can scramble two, or three, or ten of these together and arrive at something unrecognizable enough to prompt the conscientious newspaper reviewer to style him "a distinctly original...
...Italian opera, e.g., Donizetti, Bellini, Verdi, Puccini, many of whose original manuscripts, for safekeeping, now lie crammed into 17 zinc cases, 45 feet below ground in a Milan bank. The House of Ricordi still publishes the works of many of the world's leading composers, including Francis Poulenc, Gian Carlo Menotti, Edgard Varese. Now 151 years old, the firm is making news by breaking with its own austere traditions and branching out into new fields. Items: Ricordi is 1) exchanging its old, cramped print shop for a brand-new, concrete-and-glass plant on Milan's outskirts...
...grand'mère of telephone dramas, Jean Cocteau's one-act, one-character play The Human Voice (1930) returned last week in a fine musical version by French Composer Francis (Dialogues of the Carmelites) Poulenc. Staged in Milan's La Piccola Scala, with shimmering Soprano Denise Duval as the distraught mistress, Poulenc's opera lifted the play again to the lyric tragedy that Cocteau intended: "The worst tragedy that can happen to us all-love and abandon...
...Composer Poulenc produced a clean, clear score for a small orchestra that avoided sonoric effects, used no percussion instruments. He dramatized the woman's breathless silences, when her man speaks at the other end of the line, by surrounding them with tautly suspenseful music. Instead of using leitmotifs to represent love, abandonment, jealousy, he wrote separate sequences for each of the woman's pathetic appeals-her story of a suicide attempt, her memories of a trip, the pet dog that misses its master. Said Poulenc: "I tried to give the music an erotic flavor to show that...