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This energy continued into Francis Poulenc??s Concerto for Two Pianos and Orchestra in D minor, which featured 2009-10 Concerto Competition Winners Stephanie J. Brinton Parker ’10 and Lindsey R. Brinton ’12, who are sisters. The challenge of piano four hands is daunting for even accomplished pianists, but the sisters complemented each other’s performances both in terms of technique and stylistic expression. The interplay between them was so precise that it was difficult to tell which pianist was playing which phrase, creating a truly seamless piano performance. Though...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

...major, or the Haffner Symphony, BachSoc revealed the careful attention it paid to its selection of the evening’s works. The Haffner Symphony was a surprising segue from “Nightclub Scenes,” as it celebrated the classical period that influenced Prokofiev and Poulenc??s modern works. With Cohler conducting, BachSoc ended the Haffner Symphony with the exuberance that this work demands, as a final display of the refined sound that the orchestra conveyed throughout the night...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

...path to directing an opera with as high a level of intellectual and moral gravitas as Francis Poulenc??s “Dialogues of the Carmelites” does not usually start amidst a musical complete with animal suits, an ugly duckling, and an exclamatory one-syllable title. Yet “Dialogues” music director Ben E. Green ’06 steadfastly resists categorization. Not only did Green, a classically trained pianist, begin his directing career supervising a high school production of “Honk!” he has also been involved with...

Author: By Margot E. Edelman, CONTRIBUTING WRITER | Title: Ben E. Green '06 | 2/16/2006 | See Source »

...would expect an opera whose protagonist is named Sister Blanche of the Agony of Christ to be excessively melodramatic. But the Dunster House Opera (DHO) production of Francis Poulenc??s 1957 modern classic, “Dialogues of the Carmelites” is anything but excessive...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: DHO Engages in Fascinating ‘Dialogue’ | 2/12/2006 | See Source »

...carry the dramatic weight of the acting and singing because of a vulnerable and sometimes thin sound, for the most part they did not fail to stir the audience and support the singers. It seemed as if the music could fall apart at any minute, but such frailty is Poulenc??s intention...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: DHO Engages in Fascinating ‘Dialogue’ | 2/12/2006 | See Source »

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