Word: pound
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Dates: during 1970-1979
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...Week without pain or loss of all-important style points. If you want to enjoy your week, do it this way. Arrive a little bit late, at the risk of being stuck with the living room or the misfit in your rooming group. Yeah, that's right, the 400-pound sumo wrestler from East Schneck who listens to opera real loud, and picks his nose...
...exchange and gold markets may have to wait a very long time. Last week's trading was an example: though there was no special news to drive the dollar down, it sank to record lows against the yen, mark and Swiss franc, and also declined against the British pound, which bobbed briefly over $2 for the first time since 1976. Despite the later rally, at week's end the dollar had registered these drops just since mid-July: 7% against the yen, 3.5% against the mark, 10.5% against the Swiss franc, 3% against the pound. Says James Sinclair...
NONFICTION: A Place for Noah, Josh Greenfeld · Evita: First Lady, John Barnes · Ezra Pound in Italy, edited by Gianfranco Ivancich, photographs by Vittorugo Contino · First Person Rural, Noel Perrin · People of the Lake, Richard E. Leakey and Roger Lewin · The Gulag Archipelago III, Alexander Solzhenitsyn · The Snow Leopard, Peter Matthiessen
Next there are the accompanying excerpts and snippets from the Pisan Can tos, reproduced in Pound's handwriting. Good poetry should stand on its own feet, but Pound's presents a special case. Although as a young man he campaigned tirelessly for the sharpest possible image expressed in the fewest possible words, his later poems grew increasingly allusive, personal and cryptic. Images were still present but encoded. Seeing what Pound saw before it filtered through his mind helps break that code. Sometimes the pictures simply amplify the words. Two pages of dark, roiling skyscape follow lines on Pisan...
Finally there are the rare, unsettling views of Pound himself. Unlike Yeats, Joyce and Eliot, the great modernists whom he coached and championed, Pound never prepared a public face. Even at 83, he remained unsmiling and ill at ease in front of the camera, although he had come to look like the personification of an aging bard. His unruly hair had whitened into a mane, and his face bore lines and wrinkles beyond the mere ravages of time. In "Hugh Selwyn Mauberley" (1920) Pound had praised "the obscure reveries of the inward gaze." As these pictures prove, it became...