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Word: poundingly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

THANKS to some big box-office grosses in New York, Putney Swope has made financing his next picture an easier chore for Downey than it has been in the past. His new film, Pound, is about a dozen dogs (played by actors) who try to find a way to avoid the inevitable needle that will put them to "sleep...

Author: By Frank Rich, | Title: Downey, Truth and Soul | 10/3/1969 | See Source »

...whatever happens with Pound, Downey will stay out of the system and out of Hollywood. (He has had his share of lucrative offers to come to cop-out city in the past few months.) "I like to make movies," he says, " and I don't give a fuck if they're shown anywhere...

Author: By Frank Rich, | Title: Downey, Truth and Soul | 10/3/1969 | See Source »

Inflation hangs on. Ford raised the list prices of its 1970 cars by 3.6%, an average of $108 an auto. But beef is going down; wholesale beef prices are off as much as a dime a pound from their highs of last June. Official Government forecasters figure that the high pressures in the money market are finally beginning to reduce demand and, in turn, production. Economic growth, now only 2% at an annual rate, will stay below normal well into 1970. Prices, however, seem unlikely to level off until next year at the earliest. Recession probability: zero this month...

Author: /time Magazine | Title: The Economy: Cooler Weather | 9/26/1969 | See Source »

...purist will argue, Nodouble was giving Arts, and Letters an eighteen pound weight edge when they ran in the Metropolitan. In the Woodward, under weight-for-age, he gives away only six. Forget the weight argument. Arts and Letters was under only a "mild drive" when he bashed Nodouble two and a half lengths in the Metropolitan. When he tries harder, It's cookies...

Author: NO WRITER ATTRIBUTED | Title: Arts and Letters Is Good Choice At Belmont Park | 9/25/1969 | See Source »

...literature. Saintsbury, indeed, wrote with equal learning and authority on poetry and port but, alas, as if they were the same sort of thing. Pundits who teach poetry as a matter of the palate-or of professional gain-naturally detest and fear a creative man of letters like Ezra Pound, to whom poetry was a passion in which the soul was engaged in mortal questions of great consequence. Sir Edmund Gosse, for instance, a pompous Edwardian booktaster of great influence and reputation, once referred to Pound as "that preposterous American filibuster and Provençal charlatan." Gosse's dislikes...

Author: /time Magazine | Title: Books: The Caxton Constellation | 9/19/1969 | See Source »

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