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Word: pour (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...Cunos do not like dwelling in the Chancellery made famous by Bismarck, because there are not enough bathrooms. The Chancellor resembles Samuel Rea of the Pennsylvania Railway?a person of unpretentious manners and simple directness in approaching an issue. Herr Cuno says: "We are foolish to continue to pour our money into the unoccupied district to encourage resistance. But the French are foolish to be there, and so long as the French will be foolish, so must...

Author: /time Magazine | Title: Foreign News: Ivy Lee a-Visiting | 6/11/1923 | See Source »

Rejoice ye then--pour the sparkling wine...

Author: By P. Piper, | Title: THE CRIME | 6/7/1923 | See Source »

Perhaps the most unusual item on the program is the first number by Madame Lili Boulanger, entitled "Pour les Funerailles d'un Soldat". Madame Boulanger is the only woman who has ever won the "Prix de Rome", the most coveted prize of the Paris Conservatory of Music...

Author: NO WRITER ATTRIBUTED | Title: UNIQUE COMPOSITIONS TO BE PLAYED AT PAINE HALL | 5/23/1923 | See Source »

...complete program of tonight's concert is as follows: Pour les Funerailles d'un Soldat Lili Boulanger (First performance in America) J. R. Houghton 1G., Baritone. Chorus of thirty members of the University Glee Club and the Radcliffe Choral Society, Dr. A. T. Davison '06, Conductor. George Newell Sp. and G. W. Woodworth '24, Pianists. Five Pieces for the Piano Edward Ballantine (First performance) Two Voices The Climbing Vine Pavane Minuet Capriccio Played by the composer Socrate Erik Satie (First performance in America) Three Dialogues out of Plato 1. Portrait de Socrate (Le Banquet) 2. Bords de I'lllisus (Phedre...

Author: NO WRITER ATTRIBUTED | Title: UNIQUE COMPOSITIONS TO BE PLAYED AT PAINE HALL | 5/23/1923 | See Source »

...handicapped with an appearance which, while preserving its youth with phenomenal tenacity, was never strictly beautiful. Her art was not one of interpretation. In stead of losing herself in a charac ter - Camille, for example - she used it simply as a mold in which to pour her own glowing vitality. She was born 78 years ago. Her father was French, her mother of mixed Dutch and Jewish origin. Her first great triumph came at the age of 22, as Cordelia in King Lear, at the Theatre Francois. Later, feeling her intense individuality cramped by the rooted traditions of the Francais...

Author: /time Magazine | Title: The Theater: Sarah Bernhardt | 3/31/1923 | See Source »

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