Word: poured
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Dates: during 1960-1969
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...slumming upwards at a Coward play, forever lingering on a moonlit terrace, and peeking into bedrooms that are more like ballrooms. The characters always seem to be in evening dress even when they aren't. They appear to be dancing even when crossing the room just to pour a drink...
...audience soon caught on when one actor was forced to retrieve a liquor bot-tle, which had been used in a previous play, and pour it on the now very visible clouds of smoke. The play struggled on from that point but the fire was never fully extinguished until after the play had finished...
Gerhart continued to pour it on and easily outswam Frink to gain revenge in 1:49.6. "If it's humanly possible to catch up, Toby can do it," captain Mike Cahalan said after the meet. "When you beat a guy like Frink, it kills them." he added...
...total emphasis on "the actor-spectator relationship of perpetual, direct, live' communion." Grotowski wants, of all things, to give the theatrical experience back to the people who are actually in the theatre when the performance takes place-that is, the actors and the audience, period. In such a "Pour Theatre." not only will the designers and stagehands be eliminated, but so will the playwright. Grotowski sees all theatrical technicians as belonging to the "Rich Theatre" or to the movies...
Nancy Cox (Olga), Susan Yakutis (Masha), Martin Andrucki (Vershinin), Deborah Holzel (Natasha), Daniel Seltzer (Doctor), Paul Shutt (Kulygin), and practically everyone else-all let their souls pour over the auditorium from time to time if not all the time. Lori Heineman as Irina and Andre Bishop as Andrei go even further than that, opening themselves up to let us see their entire nervous systems almost every second they are on stage. No matter how self-enclosed you are upon arrival at the Loeb during the next two weeks, you simply will not be able to pass up Heineman and Bishop...