Word: poussins
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Dates: during 1970-1979
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There was a time, long past, when modern art was thought dangerous. Its subversive reputation rested on two movements, Dada and surrealism. From them, most subsequent avant-gardes have sprung. Cubist paintings by Georges Braque now look about as threatening as a pastoral scene by Nicolas Poussin. But most of the "radical" gestures in these dying years of the avant-garde have emerged from Dada or surrealist precedents. The swarm of prototypes is so thick that when a Los Angeles body artist, a few years ago, created an "event" by shooting a pistol at a jet aircraft passing over Venice...
...Peter Paul Rubens, one of the five grand masters of 17th century painting-the others, by general consent, being Caravaggio, Rembrandt, Velasquez and Poussin-was born 400 years ago this summer, on June 28, 1577. This birthday has raised memorial exhibitions all over Europe. No anniversary of a comparably great figure could launch so many shows, because Rubens was so prolific. A thousand or so paintings, more than 2,000 drawings, sown from Leningrad to Washington: Rubens was the grand inseminator of the Baroque, a monster of controlled fecundity, erudition and discipline. The biggest Rubens show, the text to which...
...short, an intensely specific artist. Specificity did not come easily, for any landscapist practicing around 1800 faced a battery of required stereotypes-chiefly the pastoral landscape with framing trees and unified brown tone, in the manner of Claude or Gaspard Poussin. Time and again, we see Constable glancing at the formula, using it, sheering off. He writes in 1803, the year of his Royal Academy debut: "I have been running after pictures and seeking the truth at second hand . . I shall shortly return to Bergholt where I shall make some laborious studies from nature - and I shall endeavour...
Some of the greatest art is ineloquent. It does not argue or get into expressive tangles. Most of La Tour's surviving work lies on this latitude of the imagination, sharing it with other purifiers of experience: Piero della Francesca, Poussin, Cézanne. Its fundamental condition, the mood of La Tour's key paintings, is a kind of analytical silence: a stillness that mediates between the logic of Descartes and the mysticism of Pascal, both of whom were La Tour's approximate contemporaries. To see the candle flame play on the faces of La Tour...
...painting. Artists as diverse as Dan Flavin, Kenneth Noland, Clement Meadmore and Alexander Liberman had been deeply affected by the radical openness of his art and his brave, grumpy polemics. Granted obvious differences of context and emphasis, Newman's work had acquired much the same ethical role as Poussin's did for young painters in the 17th century, or Ingres' in the early 19th. This month, Newman is saluted by a full-scale retrospective at the Museum of Modern Art, accompanied by an admirable monograph written by Thomas Hess, editor of Art News...