Word: poussins
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...continental Hotel in Geneva, where they were met by a cordon of gray leather-jacketed Swiss police and platoons of reporters and photographers. Inside, the oil ministers lived like the modern-day kings they have become. They dined on sumptuous meals that included filet de truite fumée, poussin de Bresse aux morilles and coeur de Charolais róti aux herbes...
...swans, heraldically conjoined at the heads, floating on a gray-green field of water and creamy lilies. But younger painters tend to settle for something lighter, stylish in a glitzy way and openly bird-brained. Beside Robert Kushner's Same Outfit, 1979, Dufy might look like Poussin...
There was a time, long past, when modern art was thought dangerous. Its subversive reputation rested on two movements, Dada and surrealism. From them, most subsequent avant-gardes have sprung. Cubist paintings by Georges Braque now look about as threatening as a pastoral scene by Nicolas Poussin. But most of the "radical" gestures in these dying years of the avant-garde have emerged from Dada or surrealist precedents. The swarm of prototypes is so thick that when a Los Angeles body artist, a few years ago, created an "event" by shooting a pistol at a jet aircraft passing over Venice...
...Peter Paul Rubens, one of the five grand masters of 17th century painting-the others, by general consent, being Caravaggio, Rembrandt, Velasquez and Poussin-was born 400 years ago this summer, on June 28, 1577. This birthday has raised memorial exhibitions all over Europe. No anniversary of a comparably great figure could launch so many shows, because Rubens was so prolific. A thousand or so paintings, more than 2,000 drawings, sown from Leningrad to Washington: Rubens was the grand inseminator of the Baroque, a monster of controlled fecundity, erudition and discipline. The biggest Rubens show, the text to which...
...short, an intensely specific artist. Specificity did not come easily, for any landscapist practicing around 1800 faced a battery of required stereotypes-chiefly the pastoral landscape with framing trees and unified brown tone, in the manner of Claude or Gaspard Poussin. Time and again, we see Constable glancing at the formula, using it, sheering off. He writes in 1803, the year of his Royal Academy debut: "I have been running after pictures and seeking the truth at second hand . . I shall shortly return to Bergholt where I shall make some laborious studies from nature - and I shall endeavour...