Word: poussins
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Professor Hind will trace the influences of the masters from the Middle Ages down to modern art. The subjects of his lectures will be as follows: February 5, "Adam Elsheimer and Northern Artists in Rome"; February 12, "Rubens and Van Dyck in their Relations with Italy"; February 19, "Poussin and Claude"; February 26, "Claude's Drawings"; March 5, "El Greco and Modern Art"; March 12, Conclusion: "Italy the School of the world...
...second half-year a group of lectures on seventeenth century art will be delivered on Thursdays commencing February 5--with the topic "Adam Eisheimer and Northern Artists in Rome." On February 12 Mr. Hind will talk on "Rubens and VanDyck in their relations to Italy;" on February 19, "Poussin and Claude;" February 26, "Claude's Drawings;" March 5, "El Greco and Modern Art;" and on March 12 as a finale, "Italy the School of the World...
...Manet, Monet) is also sparse. But six Metropolitan galleries will be opened on March 11 containing the famed Havemeyer collection (TIME, Feb. 4, 1929) which will greatly swell the museum's resources with fine specimens of Courbet, Corot, Manet, Monet, Renoir. Degas, El Greco, Millet, Puvis de Chavannes, Poussin, Ingres, Cezanne, Veronese, Filippo Lippi, Rembrandt, De Hoogh, Hals, Rubens, Goya. All in all. those who can content themselves with great artistry before Cezanne will find the Metropolitan a fascinating repository of paintings, not as great as the major European museums, but undeniably important.* Those who completely subscribe to Critic...
...Gallery XVII there are several notable loans which will probably remain in the Museum's hands over the summer. Mr. Samuel Sachs of New York City has lent three pictures. Of these two are by Poussin, one representing the Holy Family and the other a classical scene. "Diana" by Tintoretto, a picture which Mr. Sachs lends annually to the Fogg for a period of six months, also appears in this gallery. John Nicholas Brown '22 has lent to the Museum an excellent picture by El Greco entitled "Saint Dominic." Most of the important paintings which were removed from this room...
...Ameri can Sugar Refining Co.) and started to collect pictures in earnest. A few years later, she could walk into her private museum, gaze upon Veronese, del Sarto, Filippo Lippi, Rembrandt, de Hoogh, Hals, Rubens, Cranach, El Greco, Goya, Millet, Monet, Manet, Puvis de Chavannes, Re noir, Pissarro, Corot, Poussin, Ingres, Cezanne, Mary Cassatt and Degas. If the mood was not for pictures, there were sundry other objets d'art - marbles by Donatello, Cyprian glass, Italian faience, Japanese lacquers, Hispano-Moresque plaques, and a collection of weird Degas excursions into clay...