Word: poussins
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...original Popsters may not have been great artists or even uniformly good ones, but they were Rubens and Poussin compared with these Derrida-spouting midgets. And if the graft of Conceptualism onto Pop has produced so little, it is only because the landscape of mass media presents no challenges to the artist: it is sterile now and incapable of a fresh thought or an authentic feeling. Better real ads and comics than exhausted "fine" art about them. That is one reason why our fin-de-siecle, at least in the domain of the visual arts, is turning into such...
...time Seurat is thinking, editing, adjusting. Throughout his career, his efforts are directed to refracting what he sees through what he knows. He quotes Poussin, Ingres, classical marbles, Han figurines; the boy hollering in the water in Une Baignade, Asnieres was once a classical Triton blowing a conch. But the sources are perfectly absorbed in his pictorial intents. For this reason alone, Seurat was an artist of a kind unimaginable in our own fin de siecle, now that art education has been lobotomized by the excision of formal drawing and the study of prototypes...
...this show had to be done -- and at a high level of curatorial skill -- in Indiana. No New York museum plans to take it; nor could Manhattan venues be found for Franz Kline, Guido Reni, early Poussin, De Stijl, Lucian Freud and quite a number of other splendid and informative exhibitions mounted by museums west of the Hudson in the past few years. There is something unpalatable about this, a dismal message about the provincial art politics of the supposed center...
...America have been the golden age of the museum retrospective, bringing a series of great and (for this generation of museums and their public) definitive exhibitions, done at the highest pitch of scholarship and curatorial skill: late and early Cezanne, Picasso, Manet, Van Gogh, Monet, Degas, Watteau, Velazquez, Poussin, up to MOMA's current show of Picasso's and Braque's Cubist years and, perhaps, Seurat to come...
...Room of Psyche, the physical effervescence and the characters of the picnicking gods are set forth as explicitly as in a Roman pantomime, and one can easily see why Giulio had such an influence on Rubens and Poussin. Lusting, half-tipsy, bare bottomed and prone to fits of hilarity and rage, Giulio's Olympians cavort and cuckold one another across the walls to the accompaniment of all manner of phallic puns. When sword-brandishing Mars is seen pursuing Adonis, whom he has just caught in flagrante with his wife Venus, even the antique statues in the background display their truncated...