Word: pouts
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Dates: during 1950-1959
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...into this were-world has slouched a new sort of creature: the cave-chested, pout-lipped, black-jacketed hero of such pictures as Rock All Night ("Some have to dance . . . some have to kill!"), Reform School Girl ("Boy-hungry wildcats gone mad!"). The teen-spleen movies, following the monster epic's formula of low-budget and low brain-wattage, are packing in the same audiences...
...chimpanzees that follow. They pout. They bicycle. They smoke. They applaud themselves. I have nothing against chimpanzees--they are certainly more amusing than their glowing trainer--but they belong to jungles, zoos, or classrooms. On stage, although they fit into the vaudeville world neatly, they merely prove that run-of-the-mill vaudeville deserves to be left in its grave...
...course, has any great dramatic value, but it is frequently fun to watch. As the furniture designer, Jack Hawkins shows some talent as a comedian, even though he has turned in better performances in more serious roles. Margaret Johnston, who plays the designer's wife, does little more than pout, but June Thorburton, as the daughter, and John Fraser, as her young man, are both quite convincing and decorative. If nothing else, Touch and Go proves that a motion picture need not always be profound to be entertaining, and it format a pleasant contrast to an excellent documentary...
Since Viola both deceives people and is deceived herself, she must reflect emotional change with the shift in her situation. Her countenance wavers between a grin and a pout, but it never really communicates honest feeling. She seems, however, warm-hearted and lithe, and is quite consistent. Feste, the Jester, played by Eugene Gervasi, moves and gesticulates very well, though his throaty, stilted speech is perhaps affected. Marcellus Winston, as Orsino, the Duke of Illyria, mouths his lines in a monotone and seems insensible of what he is saying...
...Lorelei was a danger to be feared. You are not." In the album an enthusiastic British audience claps, cheers and laughs along with the performer, suggesting that beyond the bored and enigmatic smile of the screen Marlene. there is a skilled and warm variety artist who can pout, frown, tease, worry, smile and flirt in a constant kaleidoscope of expression...