Word: povera
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...fascinating as the show is, the concept of speed ultimately loses momentum. Small wonder, perhaps, given that the two most important Italian art movements of the second half of the 20th century, Arte Povera and Transavanguardia, were the antithesis of all things speedy: the former championed the use of humble, often recycled materials while the latter marked a return to painting after it fell out of fashion during the postmodern art movements of the '60s and '70s. And surely it is no mere cultural accident that Italy's biggest recent contribution to the international Zeitgeist is Carlo Petrini's Slow...
...textile mills are using lots of sculpting and etching techniques that create a kind of bas-relief effect on fabric. A traditional, rich fabric like silk shantung, for example, will be woven with very coarse yarn and linen hemp so that the surface looks embroidered, "almost in an arte povera way," Uslenghi says...
...Italy, they called it Arte Povera, elsewhere "junk art": turning refuse - burlap sacks, globs of tar - into popular works. For artists like Alberto Burri, who began producing Arte Povera in the '50s, such trash would eventually become treasure. Museums and galleries such as the Solomon R. Guggenheim in New York City and the Pompidou Center in Paris vied for his works for decades. In 1989, a collector shelled out $2.8 million for one of his prized Sacco (Sack) paintings called Umbria Vera. At the time of his death in 1995, Burri's most famous pieces, including the Sacks and Plastics...
MARIO MERZ, Solomon R. Guggenheim Museum, New York City. Who needs paint? Clay, wax, broken glass, twigs and neon tubes are just as likely to be used by Merz, an exponent of Italy's Arte Povera movement. Through...
...once an essential part of modernist practice, seems to have lost its strength−at least for the moment. In fact, it takes some effort to remember the days in the '60s when the air was thick with talk about which movement (Op, Pop, post-painterly abstraction, arte povera, conceptualism, photorealism) was the latest incarnation of history. In an eerie way, the future seems to have joined the past (as far as painting and sculpture are concerned) in a common elephants' graveyard. So one is left with the individual talent, the single work. Diversity...
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