Word: power
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Dates: during 1920-1929
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...never would have been made except for that election, an election which, the evidence discloses, was wickedly and fraudulently accomplished. It is that which taints and challenges these credentials here presented. . . . If the Senate does not guard its own portals and protect its own integrity, then there is no power outside the Senate to protect that integrity...
...small-town Ohioan, banker, brother of the onetime Attorney General, Harry M. Daugherty, refused to appear before a Senate investigating committee. Forthwith, he was ordered arrested on a Senate warrant for contempt. The Federal District Court of Southern Ohio released Mr. Daugherty; said that the Senate was usurping judicial power. Last week the U. S. Supreme Court reversed the decision of the lower court and gave to Congress sweeping powers. In order to legislate effectively, Congress has the right to summon witnesses, compel proper testimony, punish recalcitrant witnesses-said the unanimous,* emphatic and comprehensive decision handed down by Associate Justice...
...held its ideal. Mr. Peterkin attributes to the Crimson the desire that the tutorial relationship should be "something more than a merely educational one". Such a statement as this is in itself innocuous, but when Mr. Peterkin goes on to declare that the tutor "has it in his power to influence not merely the intellectual tastes of his men but their character and their standards of conduct", he is expressing his own opinion. That a tutor should be more than a walking encyclopedia is to be affirmed, but that he is to be a moral influence, that he should...
...March 24, Professor D. H. McLaughlin, "The World Search for Metallic Ores"; March 31. Professor G. M. Fair, "Supplying Half a Billion Gallons a Day of Drinking Water"; April 7, Professor A. E. Wells, "Floating Metals from their Ores"; April 14, Mr. H. M. Turner '06, Lecturer on Water Power Engineering. "Utilization of Water Power...
Salomé, his third opera, first produced in 1905, was a literal sensation. Because of the realistic power with which the composer treated the theme, for which he chose Oscar Wilde's necrophilistic version, U. S. presentations were banned for some time after the first Metropolitan hearing in Manhattan. But victrola records were allowed to popularize the "Dance of the Seven Veils"- and in Europe the opera at once took front rank. Followed Elektra, whose unpleasant theme, being classic, caused less offense; then Der Rosencavalier, an entirely new departure in its Rabelaisian farce of both libretto and score...