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...that Jesus' death was predetermined, then why blame anybody, whether Jew or Roman, for his death? If Jesus was regarded by Rome as a rebel against Caesar, then his execution was in conformity with Roman law. The Jews of Jerusalem, who lived under a brutal Roman occupation, were virtually powerless. Centuries later, after the Roman Empire adopted Christianity, blame was shifted from the Roman Pontius Pilate onto the Jews. That was a clear case of rewriting history, and we Jews have suffered terribly as a result. Jesus would overturn the tables of the Hollywood money changers in shock and anger...

Author: /time Magazine | Title: Letters: May 10, 2004 | 5/10/2004 | See Source »

...millions? If Christianity holds that Jesus' death was predetermined, then why blame anybody, whether Jew or Roman? If Rome regarded Jesus as a rebel against Caesar, then Jesus' execution was in conformity with Roman law. The Jews of Jerusalem, who lived under a brutal Roman occupation, were virtually powerless. Centuries later, after the Roman Empire had adopted Christianity, blame was shifted away from the Roman Governor of Judea, Pontius Pilate, and onto the Jews. This was a clear case of rewriting history, and we Jews have suffered terribly as a result. Jesus would overturn the tables of the Hollywood money...

Author: /time Magazine | Title: Letters | 5/3/2004 | See Source »

...nothing has much to lose now. Under orders from Pacquiao, his sons - toddlers Emmanuel Jr. and Michael - are kept in an air-conditioned back room all day, out of reach of kidnappers. Pacquiao has said he'll forbid his sons to enter the ring, but Dionisia understands how powerless parental desires can be. "If your children want to do something, you cannot dictate to them," she says, smiling as she watches her grandsons. "After all, I wanted Manny to be a priest...

Author: /time Magazine | Title: From Zero to Hero | 4/12/2004 | See Source »

Iolanthe, like most Gilbert and Sullivan operettas, is a cheerfully silly piece about love with a healthy dash of British political satire. In this case, the law is the target, but it is powerless before love. The fairy Iolanthe (Celia R. Maccoby ’07), pardoned after a twenty-five-year banishment from fairyland for the crime of marrying a mortal, has a half-fairy (the upper half) son, named Strephon (Michael Moss ’03). Strephon is in love with Phyllis (Lisa D. Lareau ’06), who, as an orphan, has been entrusted...

Author: By Alexandra D. Hoffer, ON THEATER | Title: Musical Fairy Dramas Amuse in ‘Iolanthe’ | 4/12/2004 | See Source »

Living in a community that has endured two apparent suicides over the past year and a half, I have at times been haunted by those faces that disappeared so abruptly from the Winthrop House dining hall. Their absence makes me feel powerless. What could I have done differently to avert these tragedies? What can I do now—what can any of us do—to prevent more tragedies like theirs in the future...

Author: By Benjamin J. Toff, | Title: Asking for Help at Harvard | 3/24/2004 | See Source »

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