Word: prado
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...PRADO by Santiago Alcolea Blanch (Abrams...
...paint the best official portrait of the 17th century -- the head of the wary, coarse, cunning old Pope Innocent X, in the Galleria Doria-Pamphili collection in Rome -- but he also made what is perhaps the greatest nonmythical, secular painting in all art history: Las Meninas, in the Prado. Neither is in the wonderful show of 38 paintings by Velazquez, about half lent by the Prado, which opens at the Metropolitan Museum of Art in New York City this week. Nor should they be, since such things cannot be exposed to the risk of travel. We can be abundantly grateful...
...Francesca is to abstraction. First Edouard Manet and then a whole succession of French painters from the 19th century into the 20th (not to mention English and American ones as well, in particular Sargent and Whistler) were transfixed by Velazquez when they found him on their pilgrimages to the Prado. Francis Bacon contorted Innocent X into his own series of screaming Popes. Picasso did a knotty and unsuccessful series of "variations" on his work, attempting to reconstruct it in terms of something other than empirical vision. Velazquez's influence appears in unexpected places: if, for instance, one wants to know...
...pastiche of Caravaggio he did around 1605, when he was barely 30: David with the Head of Goliath, the David sporting a raffishly theatrical feather in his cap as he tilts the severed head like a connoisseur quizzing a sculptor. Some of his key paintings, such as the Prado's extraordinary Atalanta and Hippomenes, in which he achieved a grand synthesis of Caravaggism and classical diction, are missing from Fort Worth. But it is quite clear from a work like Joseph and Potiphar's Wife that Reni could endow human figures with a Caravaggio-like density and passion while pointing...
There has never been a complete retrospective of Goya's work, but the next best thing may be the exhibition "Goya and the Spirit of Enlightenment," which was shown at the Prado in Madrid last fall, opened last week at the Museum of Fine Arts in Boston, and will be seen from May 9 at the Metropolitan Museum of Art in New York City. Organized by Alfonso E. Perez Sanchez, director of the Prado, and Eleanor A. Sayre, the eminent Goya scholar who is curator emeritus of drawings, prints and photographs at the Museum of Fine Arts, the show...