Word: prado
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...often helped each other on big commissions. Van Dyck and Jordaens worked side by side on the Rubens ceiling pieces for the Jesuit Church in Antwerp. The Jordaens show itself is also a major achievement in assemblage. Paintings were loaned by Queen Elizabeth, President Giuseppe Saragat of Italy, the Prado, and Rumania's Brukenthal Museum. Even Leningrad's Hermitage contributed...
...reciprocated by the loan to San Antonio's HemisFair of 13 masterpieces from Spain. The heavily guarded collection, estimated to be worth $10 million, includes outstanding works by Goya, Velásquez, Murillo, Zurbaran and El Greco (see color pages). It not only represents the pick of the Prado, but also includes paintings from other Spanish museums. The exhibit is designed to tie in with the fair's theme, "The Confluence of Civilizations," by demonstrating that Spanish culture is itself a confluence of influences: Latin, Visigoth and Moorish. Even more pertinent is a 1767 map showing...
...group of post-impressionists from two fly-by-night dealers only to find that they were largely fakes (TIME, May 19, 1967), Meadows has since purchased some $3,500,000 worth of paintings, most of them from Manhattan's Wildenstein Galleries in order to guarantee his prairie Prado some indisputable old masters...
...architectural milieu, and the quality of the Spanish character-which Michener sums up in one evocative word, duende, meaning "mysterious and ineffable charm." All the immemorial sights are here too: the revelry following the feria at Seville, the impact of the roomful of Velázquez paintings at the Prado, the soaring, glowing Gothic church at León, the splendor of the cathedral at Santiago de Compostela. Michener's Tales of the South Pacific, The Source, and Hawaii brought him deserved standing as a competent if often heavy-footed popular novelist. His Iberia proves him a better Baedeker...
...that was not all-though it has taken over a century and a half to discover the second Goya in the Goya. Last June, Madrid's Prado Museum decided to have The Family of Charles IV cleaned and rebacked with a fresh canvas. When the first layer of grime was removed the Prado's assistant director, Xavier de Salas, made a startling discovery. In the upper left-hand corner, a dark picture hanging on the palace wall turned out to depict a nude man and two seminude women. The man is caressing one woman's thighs...