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...remains prestigious, but its politics are discouraging some of the University's most creative directors even from applying for space. Mark Prascak '89, the director of last spring's inventive adaptation of Strindberg's A Dream Play in the Adams House Lower Common Room, says he's been told by the HRDC that he is "too experimental for the Experimental." He has applied twice--and been turned down twice...

Author: By Abigail M. Mcganney, | Title: Ex Marks the Spot | 12/5/1987 | See Source »

...exhibit of radiator-lamps created by local artist Peter Houk is currently on display in the basement lounge. Mark R. Prascak '89, another Adams House resident, plans to stage "The Mesozoic Maids", his Flinstonian adaption of Jean Genet's play "The Maids" in December...

Author: By Matthew L. Schuerman, | Title: Adams to Screen Avant-Garde Films | 11/18/1987 | See Source »

Cocteau's adaptation added further to the ancient myth with the character of Heuteboise (Don Carleton), a guardian angel who doubles as a glazier. Prascak makes him a dilivery boy for Pinocchio's Pizza, a change that provides plenty of material for the rest of this strange brew of banality, magic and myth. For instance, Euridice's fatal step is taking a bite of a mushroom slice. In one of Prascak's sillier insertions, her death occurs after she hands out several freshly delivered slices to the audience...

Author: By Abigail M. Mcganney, | Title: Hit Or Myth? | 11/13/1987 | See Source »

...NONE of Prascak's productions have been marvels of polish--their appeal has had to do mostly with manic humor and risk-taking. In Orphee, the small stage in the Kronauer Space not only limits the action, it also limits the actors. On opening night, at least, the players showed some awkwardness maneuvering around the table and chairs. It didn't help the smooth flow of the show that guardian angel Carleton, due to unfortunate (and bizarre) circumstances, had to hop about in a cast. The handicap did, however, contribute to the dramatic tension--will...

Author: By Abigail M. Mcganney, | Title: Hit Or Myth? | 11/13/1987 | See Source »

...cast does fairly well in demanding roles. Prascak's script calls for difficult switches between disparate modes--such as clever word play and campy melodrama--and the actors always maintain their composure. Especially good were Bader and Adam Hyman, who played Raphael, Death's assistant. Although the procession of scenes was somewhat disjointed and hasty, an intervening week of rehearsals has probably smoothed many of the difficulties...

Author: By Abigail M. Mcganney, | Title: Hit Or Myth? | 11/13/1987 | See Source »

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