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Word: prayers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

PETE SEEGER: I CAN SEE A NEW DAY (Columbia). Everyone seems to take his new songs to Pete. Fred Hellerman, for example, handed him his new, gospel-like prayer for Mississippi (Healing River) just before Seeger flew down there last summer. Pete also sings some traditional ballads (Follow the Drinkin' Gourd) and his own haunting Bells of Rliymney...

Author: /time Magazine | Title: On Broadway: Apr. 2, 1965 | 4/2/1965 | See Source »

About 35 clergymen began a vigil in front of the Capitol at 10 p.m. Tuesday to protest the beatings of that day. They asked if they could give a prayer on the Capitol steps, but a tight ring of state troopers prevented any movement toward the steps...

Author: By Peter Cummings, (SPECIAL TO THE CRIMSON) | Title: Night Marchers Rouse Ala. Cops | 3/20/1965 | See Source »

Finally at 2:30 a.m. Wednesday, the ministers, rabbis, and priests were allowed to kneel on the first step and recite the Lord's Prayer. But the troopers insisted on forming a line, shoulder to shoulder on the second step, to prevent any assault on the building...

Author: By Peter Cummings, (SPECIAL TO THE CRIMSON) | Title: Night Marchers Rouse Ala. Cops | 3/20/1965 | See Source »

...Cloud raised his bullhorn and said: "I ask you to stop this march. You will not continue-you are ordered to stop and stand where you are." King asked Cloud if it was all right to "have some of the great religious leaders of our nation lead us in prayer." When permission was granted, King motioned to his longtime friend, the Rev. Ralph Abernathy. As hundreds in the parade knelt in the sunlight, Abernathy intoned: "We come to present our bodies as a living sacrifice. We don't have much to offer, but we do have our bodies...

Author: /time Magazine | Title: Nation: The Central Points | 3/19/1965 | See Source »

...head and say it's beautiful is not enough," says Rorimer. He relates pieces chronologically so that visitors stumble without accident upon one masterpiece that helps explain another. The Met's collection of Islamic art lines a corridor that logically leads to a 14th century tiled mihrab (prayer niche), as magically multicolored as a Persian carpet. To show the effervescent character of baroque art, a huge, gilded 17th century harpsichord is placed against a wall of Tiepolo's levitating flights of linear fancy. And in the center of a room coated with Italian 16th century masters rests...

Author: /time Magazine | Title: Museums: The Muses' Marble Acres | 3/19/1965 | See Source »

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