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...index of 28 spot prices was only 5½% above August 1939, lard and hides were down over 35% from World War II's high, wool tops and wheat down 20%. Ten of the 28 commodities were selling under pre-war prices...

Author: /time Magazine | Title: War & Prices | 1/6/1941 | See Source »

With the zeal for reform which prompted his organization of an antidrinking league as a youth, he kept tackling problems of parliamentary and agrarian inequalities. By 1922 he had pushed through the Lex Kallio, forcing Finland's big landowners to sell property to small farmers at pre-war prices, built a substantial enfranchised middle class by turning tenants into owners. To consolidate Finland's gains he worked hard for Pan-Scandinavianism and national defense, though the odds against him proved overpowering...

Author: /time Magazine | Title: FINLAND: KALLIO'S DUTY DONE | 12/30/1940 | See Source »

Cautious, publicity-shy Adam Gimbel, president of Saks Fifth Avenue, was the No. 1 pre-war U. S. buyer of Paris high-style merchandise. But "Skap's" stand made him see red. His wife Sophie had recently completed showing her own custom-made midseason collection, without any help from Paris, was full of excitement about fine textiles and exclusive gewgaws that she had been able to coax out of hitherto mass-production-minded U. S. manufacturers. Said Mr. Gimbel: "The Paris of the old days is not the Paris under totalitarian government. Schiaparelli is either misguided-or under...

Author: /time Magazine | Title: CLOAKS & SUITS: Impudent Insult | 12/30/1940 | See Source »

Arizona (Columbia), not to be confused with California, Colorado, Kentucky, Louisiana, Maryland, Mississippi, Nevada, Wyoming or Little Old New York, is a remnant of pre-War Hollywood economy when a $2,000,000 budget was as commonplace an item in a producer's checkbook as a mink coat for the wife. Needing a fancy jewel to decorate its year's offerings, Columbia allotted it $1,500,000. Producer-Director Ruggles hiked his company off to a location near Tucson, battled weather, dust and sickness last summer until his costs had mounted to $2,250,000. Rival studios, shaving...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 16, 1940 | 12/16/1940 | See Source »

French and Russian Ballet, then, is a rotted hulk of the great pre-war ballet of Serge Diaghilev. It is too clogged with unnaturalness to have very much meaning today. For one thing, its stories are mostly mythological or fanciful, handled as though in a complete vacuum, with not the slightest trace of anything to link them with real life. The music, too, is defective in that it is addicted to effect and picturization rather than spontaneous expression. But probably what makes old-style ballet so sterile is the fact that this is primarily not a dancing age: that...

Author: By Jonas Barish, | Title: THE MUSIC BOX | 11/21/1940 | See Source »

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