Word: pre
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Dates: during 1930-1939
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...population had increased more rapidly than any in Europe; by 1929 her wheat and rye production surpassed her pre-war average. Poland was Europe's third largest producer of crude oil, the world's third largest producer of zinc. She had rebuilt her steel industry to eighth largest in Europe, had laid 823 miles of railroads, built 6,750 hydroelectric plants. And although her impoverished peasantry constituted a problem that no intelligent Pole denied, farm wealth had steadily increased: Poland ranked fifth among the world's powers in horses, eighth in cattle, fifth in pigs...
John Sloan's place in contemporary art is so thoroughly accepted that he is in danger of being taken for granted. Gallery-goers find it hard to realize that his atmospheric, human scenes of pre-War-I Manhattan were damned as paintings of "The Ashcan School" when his group of realists held their first show in 1908. Last week he summed himself up: "I never thought of one of my good pictures as art while painting it. Whether it was art or not, it was what I wanted to do. . . . I am grateful to have lived this long...
...coal industry was under pressure to supply domestic customers anxious to pile up stocks at pre-war prices; needy belligerents and neutrals who formerly bought from England or Germany. Last week the Norfolk & Western Railway which taps the mines of West Virginia and Kentucky carried 20,845 cars of coal, just 48 cars less than its all time record in the boom week of March 27, 1937. Any further increases in production are limited by: 1) the fact that many mines have not now the man power or machine power to shift to a six-day week; 2) such coal...
Before David is tossed skallyhooting out of his paradise and his ephemeral inheritance, some excellent war talk is heard from, among others, an aged and resigned Italian prince. None of it is more interesting than the implication of the book itself: that the pre-1914 ideals of scientific truth and romantic honor, handed on to David in his father's good English blood, made him an unwelcome guest in the period between wars. Richard Aldington's bright, reckless style has improved since Death of a Hero, his epigrams are neater (though subject to an appalling tendency to show...
...Child of Our Time tells a no less timely story. Central character is a young Nazi lance-corporal, for whom the Nazi slogan, "The individual doesn't count," is not merely a slogan but a true observation based on his pre-Hitler, threadbare misery. "With love, a man may reach heaven," he quotes. "With hatred," he adds, "we shall go farther...