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...severe but jazzy stylization. The single piano hammers in the background as the residents of "Steeltown, U.S.A." battle the manipulations of the inexorable, cigar-chomping "Mister Mister" (David Reiffel). Mister Mister owns the factories and the town newspaper and heads the union-busting Liberty Committee, his wife bribes the preacher to fan war hysteria so steel prices will stay high, while his henchman track down dirt on the heroic labor-organizers who are trying to bring about a social revolution. Their speeches are not just background color thrown it to give characters an excuse for passionate devotion or to propel...

Author: By Amy E. Schwartz, | Title: Labor and Love | 3/18/1982 | See Source »

Vanity of vanities, saith the Preacher; all is vanity. He saith it in Calcutta and in Moscow, in London and New York, in newspapers and TV until the reader's attention flaggeth and verily his eyelids drop. Happily, Malcolm Muggeridge does not maintain a testamental tone throughout his selected diaries from 1932 to 1962. Despite the sackcloth prose, Muggeridge made his reputation as a restless journalist, BBC wit, and the scapegrace editor of Punch. When he is not ostentatiously wishing for death or lamenting his carnal desires for this or that mistress, he remains a world-class caricaturist...

Author: /time Magazine | Title: Books: Curmudgeon | 2/15/1982 | See Source »

Arriving at Harvard several months behind schedule ("this is a troubled world"), Billy Graham converts almost half-a-dozen students to Christ at a Memorial Church service. "Sin pervades this campus," the famed video preacher said, citing the Science Center men's room and Tommy's Lunch as particular heathen-breeders. WHRB, whose president announces he has "seen the lights," switches to 24-hour sermonette programming...

Author: NO WRITER ATTRIBUTED | Title: 'Hit Squads' From the Quad | 1/15/1982 | See Source »

Purlie Victorious Judson (Lance LaVergne), an idealistic young Black preacher who dreams of buying and then integrating a church, brings Lutiebelle Gussie Mae Jenkins (Wendy Jamerson), a simpleminded kitchen maid, to town to masquerade as his college-educated cousin Bea. In that guise, Purlie hopes, she can collect from Cap'n Cotchipee the $500 he has held in trust for the real Bea's dead mother. Purlie wants the money to found his church, but when he falls in love with Lutiebelle he runs into a snag. So does the production...

Author: By Amy E. Schwartz, | Title: Purlie's Paltry Persuasion | 12/10/1981 | See Source »

...best or the only way to protect low and moderate income people...Without better data, it is impossible to insist on rent control and condo controls in exactly their current forms." Saying that to a room full of tenant activists was not wise; better for a fundamentalist preacher to tell his flock that the whale didn't really swallow Jonah. Enacting rent control in 1970 was a tremendous struggle; maintaining it since then has been just as hard. And tenants have to look no farther than Somerville--where rents doubled and tripled when rent control was wiped off the books...

Author: By William E. Mckibben, | Title: Cambridge 1983? | 10/19/1981 | See Source »

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