Word: preciouses
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...margins of verses by the poet Hafiz, annotations by the Mughal Emperors Humayun and Jahangir. There are even jottings by Byron - two verses added by the English poet to his "Ode to Napoleon Bonaparte." With so few visitors, director Imtiaz Ahmad will dig out his most precious pieces for you to peruse over chai and spicy chips. "The academic traditions of this city will endure," he says. "They are weakened, but not lost." It's almost enough to restore your faith in Bihar...
...using platter charges, directed explosives developed during World War II, giving them access to the heart of the plant. They would use gun-mounted lasers and infrared devices to blind the plant's cameras, and electronic jammers to paralyze communications among its defenders. They would probably be armed with precious information--hand-drawn maps, drawings of control panels, weak spots in the site's defenses--provided by a covert comrade working inside the plant...
...armed with makeshift instruments, art supplies and bottles of wine, reveling in the spring grass and the serendipitous sprinklers, my friends and I managed to forge our own little commencement events where frivolity replaced ceremony. These yards, where we’ve lounged or played ball, or caught a precious glimpse of nature, are just as much, if not more, a part of Harvard than the libraries, the dorms, and the classrooms...
...with his tender explorations of relationships; another, the wistful 1970s chanteur Alain Souchon. Delerm's writing contains unexpected metaphors that focus on small observations, like the image of a naked woman that forms and disappears in a cup of sake in the song Evreux. Critics dismiss his style as precious, and ridicule his distinctive enunciation - drawn-out syllables and unexpected, oddly placed, upward inflections - as affected. But there's a certain quirky charm in his words and the way he sings them. Fanny Ardant et Moi, a rare up-tempo number, recounts Delerm's imagined relationship with the French actress...
...fondly, "because nobody was likely to pay attention." That was before Cunningham wrote The Hours, his moving reimagination of the novel Mrs. Dalloway and the life of its author, Virginia Woolf. The book won a Pulitzer. Nicole Kidman got an Oscar for the movie. Just like that, Cunningham's precious obscurity was gone. "It's harder to feel the necessary degree of recklessness when people are paying attention," he says. "You have to be willing to fail...