Word: predicters
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Dates: during 1970-1979
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...expect much to come of such exchanges--at least as long as administrators bring to them the kind of defensive, uncommunicative attitude that characterized Presidents Bok's walk through the demonstration of April 24 and his address to Quincy House seniors the following Monday. While it is impossible to predict the shape of Harvard's anti-apartheid movement in the fall, students must not acquiesce to the April decision, for to do so would be a tacit acceptance of Harvard's South Africa policy...
...stars are as engaging as the director demands. Morgan, here returning to the screen after an eight-year absence, makes the chic middle-aged murder suspect an aloof yet touching figure: she always retains her bourgeois hauteur, but we see the pain of her predict ament in the slight flickering of her large blue eyes. Reggiani is a delight. With his hound-dog face and wry manner, he is every bit as amusingly world-weary as Happy New Year's hero, Lino Ven tura. No wonder all the other characters openly adore...
...Proxmire said, the federal government spent only about one cent for every dollar of city funding, but by 1976 this figure had risen to 25 cents of federal money for every city-funded dollar. Estimates for 1978 predict that the U.S. government will spend 47.5 cents this year for every dollar of city funds provided, he said...
...administrators bring to them the kind of defensive, uncommunicative attitude that characterized President Bok's address to the Quincy House seniors Monday night. Students must not accept the meek, passive role the University seems intent on having them play with regard to policy. While it is impossible to predict the shape of Harvard's anti-apartheid movement in the fall, students must not acquiesce to the April decision, for to do so would be a tacit acceptance of Harvard's South African policy...
...right." Many try nonetheless. Rudolf Nureyev commends her: "She has that beautiful fluidity in her movements and an incredible strength for such a small girl." Mikhail Baryshnikov notes that "she advances from performance to performance. Her taste and artistic outlook are constantly developing, and none of us can predict how far she will go." Dancer Edward Villella singles out the essence of a performance: "Those steel-like legs that are doing the most fantastic technical feats, while the upper body is soft and lovely as though nothing was going on underneath...