Word: premi
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Dates: during 1960-1969
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Henry Cowell, 63, turned up in Kansas City for the première of his 22-minute Concerto for Percussion and Orchestra. Using 64 percussion instruments, the concerto featured five percussion "soloists," whose duties proved so complex that they had to dart about the stage. Among the instruments employed: Chinese gongs, temple blocks, tom-toms, marimbas, vibraphones, Pyrex mixing bowls, a xylophone, a celesta, a glockenspiel. For all its fearsome instrumentation, the concerto proved to be one of Cowell's more immediately appealing works - alternately delicate and boisterous, crosshatched with curiously shifting rhythms. Less stark than the works...
...slow up even the indefatigable Casals, who just turned 84. In the course of his birthday celebrations, the composer bowed to the inevitable: in Acapulco, at the climax of a two-week Mexican Casals festival that ended last week, he mounted the podium to give El Presebre its world premi...
...wife, one evening last week, left their home in a working-class neighborhood of East Los Angeles, crossed town and stepped into the glare of a Hollywood premiére. After 13 years of a shadow career filled with aliases and under-the-desk assignments, Screenwriter Dalton Trumbo was also stepping into the open. He had written the picture, Exodus, under his own name; and on the blacklist that had featured him for so long, the print was quickly fading...
...good lines to the forces of darkness. When the witches were offstage, the hour-long pageant was static, lacked the exciting, full-blooded drama found in most of his work, including his Easter play, Comoedia de Christi Resurrectione. But the musical backgrounds were compelling, and the enthusiastic première audience demanded 15 curtain calls...
Instead of sinking their money in a leather-topped bar and zebra-striped divans, they hired a good sound engineer to build an acoustically perfect room. In a typical program, Ruff and Mitchell, assisted by Composer-Pianist Robert Helps and Drummer Charlie Smith, presented the U.S. premiére of Paul Hindemith's Sonata for Alto Horn and Piano, followed it with a Ruff-Mitchell composition titled Fugue for a Jazz Trio. The club features a regular string quartet from Yale, and will draw heavily on the talents of such Yale faculty members as Violinist Howard Boatwright, Pianist Seymour...