Word: premi
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Dates: during 1970-1979
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...night, emotions ran high. Tears and cheers for the music made for a loud, if damp, ovation. At the end of the première, Bernstein wept helplessly as the audience thundered its applause, then launched into a marathon fit of kissing everyone in reach. "May I kiss you one more time?" he asked Rose Kennedy. Said Rose gently; "I think it will ruin my makeup." Tact may have accounted for some of the praise, but in the case of 87-year-old Alice Roosevelt Longworth, daughter of Theodore Roosevelt and one of Washington's more outspoken oldtimers, tact...
...director and chief choreographer, John Cranko, is possibly the reigning master of story ballet. Put them all together and what do you get? What you get, sad to say, is a campy, overripe, overdecorated disaster called Poème de I'Extase, which was given its American première last week at the Metropolitan Opera House...
...Countess, Vera von Lehndorff, is one of the world's towering beauties -she is the international model built for basketball and known as Veruschka. In Rome she went to the première of the film Veruschka, Poetry of a Woman with its writer/director, Franco Rubartelli. The movie, originally a token of their long great-and-good friendship, now seems to have become more of a souvenir. After the show was over, he left with another model and she with another friend...
Other maestros may prepare for a major performance by going over the score in solitude. Not Austria's white-maned Conductor Herbert von Karajan, 63-flyer, skier, yachtsman and fast-car buff. A few hours before the première of a Karajan-produced, Karajan-directed, Karajan-conducted Fidelio at Salzburg's Easter festival, he climbed into his souped-up Ford GT 40 and took on a twisting mountain road at speed. When he whined around a curve to face a juggernaut diesel on the wrong side of the road, Karajan took evasive action, turned the Ford over...
...primitive myths and energies completed in 1913. Conductor Pierre Monteux recalled that when he first heard the composer run through it on the piano, bobbing up and down to accentuate its jagged rhythms, "I was convinced that he was raving mad." Later, when the work had its Paris première at the Theatre des Champs Elysées, many members of the audience thought so too. They erupted in perhaps the most notorious riot of music history, booing, fighting one another, pelting Monteux and the players with programs and hats...