Word: premi
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...most of the ballet enthusiasts who saw its New York première, the American Ballet Theater's sumptuous new production of Raymonda provided a night to remember. For one thing, the visually dazzling revival marked the return of Denmark's Erik Bruhn, 46, from his retirement three years ago; at the peak of his career, he was widely regarded as the world's reigning danseur noble. For another, Bruhn was appearing for the first time in the U.S. with his friend and rival Rudolf Nureyev, who has created a production that should enhance his reputation...
...Yorkers turned out at the Metropolitan Opera House last week for Balletdirektor Tetley's debut visit with the Stuttgart and his first full-scale work, Daphnis and Chloë. The choice was an odd one. Daphnis and Chloë has not been a lucky ballet. The 1912 Paris première by Diaghilev's Ballet Russe suffered from underrehearsal and, according to Michel Fokine, who choreographed the work, indifferent dancing by Karsavina and Nijinsky. No one faulted the dancing of Margot Fonteyn and Michael Somes in the 1951 Sadler's Wells revival, but the public was cool...
...sneak preview in San Diego on Nov. 27, just two weeks before the world première, Coppola, his wife Eleanor, John Cazale (who is superb as the hapless Fredo), a crew of film editors and a contingent of buddies watched a packed house respond enthusiastically. But the assembled loyalists all knew the film was seriously flawed; the last hour seemed jumbled, confused, cold. All during the showing Coppola muttered notes to himself into a pocket tape recorder. Some scenes needed lengthening, others were dropped. The idea of an intermission was scrapped...
...girl "out in the streets." "No, she wouldn't do too well there either," she replies thoughtfully. Sand, who starred in the superb Story Theater a few seasons back, is a quirky blend of shy preoccupation and blurting enthusiasm, quick starts and sudden hesitations. If his première show lacked Rhoda's slickness and deteriorated into formula writing on occasion, it nevertheless introduced a character capable of both surprise and maybe even growth-not qualities that are automatically associated with the central figures of most television sitcoms...
...quartets, concertos and other works; of an apparent heart attack; in Geneva. Just after World War I, Milhaud became a member of Les Six, an informal group of irreverent young composers. His racy treatment of Brazilian popular songs, Le Boeuf sur le Toit, caused an uproar at its Paris première. La Création du Monde, the 1923 ballet that is perhaps his masterpiece, was the first major classical composition effectively to incorporate elements of jazz. Of Provencal Jewish lineage, Milhaud fled the Nazis in 1940. Throughout World War II he taught at Mills College in Oakland, Calif...