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...Grofé. Among his nine schmalzy suites are musical chronicles of the Hudson River, the Mississippi, Death Valley and, most famed of all, the Grand Canyon. Last fortnight Memorialist Grofé. a vigorous 68, got around to San Francisco. Before an audience of proud local citizens, he conducted the première of his golden-gaited San Francisco Suite, tracing the fortunes of the city from gold-rush days to the present...

Author: /time Magazine | Title: Music: Ring Dem Bells | 5/9/1960 | See Source »

...middle-ground Riegger in the serene, elegant textures of Canon on a Ground Bass by Henry Purcell (1951). Not included was the work for which Riegger is perhaps best known-his Third Symphony (1947), which won the New York Music Critics' Circle Award in the season of its première. In that fine work Riegger is at his abrasive best, putting night-wailing strings against the muscularly marching brasses in an effect that is taut, menacing and powerfully moving...

Author: /time Magazine | Title: Music: Pioneer from Georgia | 5/9/1960 | See Source »

...analysis by Orientalist Arthur Upham Pope of the formal structure of Persian carpets, in which the patterns were compared to polyphony in music and some of the figures to fertility symbols. The resulting work, a diverse, pseudo-Oriental affair titled The Figure in the Carpet, had its première last week with the New York City Ballet, proved to be one of the company's most engaging productions...

Author: /time Magazine | Title: Music: The Rug in the Icebox | 4/25/1960 | See Source »

Manhattan witnessed other dance premières last week that made Balanchine's carpet look like a quiet family heirloom...

Author: /time Magazine | Title: Music: The Rug in the Icebox | 4/25/1960 | See Source »

...Movements, Stravinsky adds: "Every aspect of the composition was guided by the forms of the series-the sixes, the quadrilaterals, the triangles . . . The listener has to get down and look up through the series, so to speak." Scored for a moderate-sized orchestra and piano (expertly played at the première by Mar-grit Weber), the piece has no continuity in the normal sense. A lean, nervous composition, it proceeds in jagged skips and jumps. Its impetus derives from its rhythms-crotchety, erratic and often as arresting as a movie played at constantly shifting speeds. "One does not find...

Author: /time Magazine | Title: Music: Anti-Tonal Stravinsky | 1/25/1960 | See Source »

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