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Manhattan Composer Norman Dello Joio, 43, has been fascinated with Joan of Arc ever since he was twelve. Six years ago he completed an opera, The Triumph of Joan (TIME, May 22, 1950), but withdrew it after the première and used some of its music for a symphony. Still not satisfied that he had caught the inspiration of Saint Joan in music, the composer made a long study of the legal proceedings that sent Joan to the stake in 1431, finally wrote an entirely new libretto and score. Titled The Trial at Rouen, it had its premi...

Author: /time Magazine | Title: Music: New Opera on TV | 4/16/1956 | See Source »

...With the Hollywood première becoming gaudier every year, Los Angeles Columnist Kendis Rochlen handed out some tongue-in-cheek tips to première-goers. Two important rules: never show up on time ("Gauge your timing according to your prestige; no self-respecting big star would dream of showing up by 8:30"), and provide "double insurance" ("By accidentally dropping a glove or handkerchief and starting to lean over to pick it up, a star can often put her best features forward for the photographers...

Author: /time Magazine | Title: Cinema: Cinema, Dec. 12, 1955 | 12/12/1955 | See Source »

...knowledge of the voice to make things easy for the singers ("They've had a rather poor time of it for the last 30 years"). He also decided to swallow any fears he might have about sounding like Verdi or Puccini. Last week, ten months after the London première, the New York City Opera staged its version of Troilus and Cressida. It was a direct...

Author: /time Magazine | Title: Music: New Opera in Manhattan | 10/31/1955 | See Source »

...Famed for her repertory of about 70 roles, her command of lieder and her virtuosity (G-sharp above high C), Mme. Hempel was offered her choice of any of the three female leads in Der Rosenkavalier by Composer Richard Strauss, created the role of the Marschallin in the 1911 premiére in Berlin...

Author: /time Magazine | Title: Milestones, Oct. 17, 1955 | 10/17/1955 | See Source »

...music aspires toward a brass band's exuberance, all locomotion toward a fire engine's clanging speed. And there is a very proper belief that one Gwen Verdon is the equal of a hand-picked chorus line, a spotlighted siren, a surefire comic, and a sought-after premiére danseuse...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, may 16, 1955 | 5/16/1955 | See Source »

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