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...première of a new opera took place last week in the cotton-mill and college town of Spartanburg, S.C. That fact was not surprising. Since 1939 Spartanburg has been staging spring music festivals with a fine exploring, self-sufficient spirit. It has no rich backers, no imported stars; it keeps to its promise of "no performances of hackneyed works." Instead it has put on with local talent such rarities as Purcell's Dido and Aeneas, Mozart's Requiem. So last week, again festival time in Spartanburg, saw the production of Ernst Bacon's A Tree...

Author: /time Magazine | Title: Music: Premi | 5/11/1942 | See Source »

Manhattanites waited for the melting watches, the hirsute oysters, the crutches, the lamb chops, that are the hallmarks of Surrealist Salvador Dali. But there were few such symbol-crashes in the ballet Labyrinth, given its world première at the Metropolitan Opera House last week...

Author: /time Magazine | Title: Music: On the Toes | 10/20/1941 | See Source »

...home of the divine Kshesinskaya, the ballerina whom Nicholas II loved. It was the city of grey and pink granite, of Rastrelli's baroque Winter Palace, Catherine the Great's classicism, Alexander I's low-lying "architectural landscapes." At its Imperial Opera, Prince Igor had its première. Rembrandt's Polish Nobleman hung in its Hermitage. It was the town where skylarks sang, in whose parks birches crowded, and under the birches melting little Russian mushrooms grew...

Author: /time Magazine | Title: World War: Peter's Window, Lenin's City | 9/1/1941 | See Source »

...people to Philadelphia's Robin Hood Dell for the concert José Iturbí refused to conduct (TIME, July 7). Clarinetist Goodman not only rippled through the Mozart concerto, with Edwin McArthur conducting, but he waved a stick-a pencil-over the Philadelphia Orchestra in the première of a Tango by Stravinsky. Drawled Benny later: "I felt kinda funny...

Author: /time Magazine | Title: Music: Back to Chicago | 7/21/1941 | See Source »

...hand at snaring such top-flight cinema talent for noncommercial rates is sharp-tongued, tapir-nosed Charles Vanda, 38, producer of Forecast. He also produces Lolly Parsons' Hollywood Premières and the Hollywood end of the U.S. Treasury's Millions for Defense. Acidulous on all matters, particularly Hollywood, Vanda is enormously popular with reporters, is privily referred to by actors as "The Toad." Mordantly witty, as typical of Manhattan as a knish, Vanda has a ready excuse for his devastating blintzkriegs. "It's all an act," he says. "Inside I'm just a sissy...

Author: /time Magazine | Title: Radio: Vanda's Show | 7/21/1941 | See Source »

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