Word: premis
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...after Composer Piston's symphony had its première, a much more widely heralded piece of music was broadcast by the NBC Symphony under Conductor Artur Rodzinski: Russian Composer Dmitri Shostakovich's Fifth Symphony. Composer of the famed opera Lady Macbeth of Mzensk and onetime white-haired boy of Soviet music, Shostakovich had lain for two years in official outer darkness, his opera banned and his Fourth Symphony confiscated because of "Leftist" modernistic tendencies (TIME, April 4). First of his works to be O. K.'d by Moscow critics since his downfall, the Fifth Symphony...
Serge Prokofieff, famed Russian modernist composer, has a scunner against Boston. Seven years ago, when his Fourth Symphony was premièred there, supercilious Bostonians pooh-poohed it, critics even dared to suggest that it was written in too much of a hurry. Last week blond, lumbering Prokofieff, guest-conducting the Boston Symphony, evened the score. "If the public in Boston cannot understand my serious music," said irate Composer Prokofieff, "I'm going to give them simple things." One of the simple things was his Peter and the Wolf, a musical fairy tale written to teach the various sounds...
...inspired opera And Quiet Flows the Don was contrasted favorably with that "muddle of sound, raucous cacophony and lascivious naturalism," Lady Macbeth. Most talented of the new group was shy, sandy-haired, 24-year-old Tykon Krennikov, whose deep, contemplative First Symphony was hailed by critics at its Manhattan première last year as one of the finest contemporary works of its kind. Also basking in official favor were long-nosed Dmitri Kabalevsky, Caucasus-born Lev Knipper, and aging, conservative Nicolas Miaskovsky, who was composing symphonies long before the Old Bolsheviks were dry behind the ears...
...Rappaport died before his play was produced, but he left the rights to it in trust for the poor of Warsaw's ghetto. Last week, for the benefit of Polish Jews, Manhattan cinemagoers paid as high as $10 a seat to see The Dybbuk's U. S. premiére as a motion picture...
...lightened her voice so that, when Conductor Bruno Walter heard it, he gave her small lyric soprano parts at the Charlottenburg Opera. After her accidental discovery of C in altissimo, Soprano Sack perfected her coloratura. When, as a member of the able Dresden Opera, she sang in the world première of Richard Strauss's Schweigsame Frau (The Silent Woman), and later in a revival of his Ariadne Auf Naxos, Composer Strauss wrote in extra fioriture for her nimble vocal chords...