Word: premis
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...Boston visit is the Met's big out-of-town venture this season. After eight performances there, it goes to Baltimore for three, then to Rochester to put on Merry Mount for the benefit of Composer Howard Hanson's townsfolk who could not get to the Manhattan première (TIME...
Thin, unfunny in spots and marred on the première by the brandied roarings of a number of Mr. Astaire's fashionable friends, Gay Divorce nevertheless provides a generous measure of polite entertainment. Luella Gear, cast as Actress Luce's guide, philosopher and friend, is dryly humorous, sings one funny song about a "brave young American girl of 37" who proclaims herself "true to the Red. White & Blue" at a Communist gathering, another about an unfortunate family of Fitches. Eric Blore plays an amusing barman...
...treatments for his "glass arm" had not kept Conductor Toscanini so long in Italy (TIME, March 14 et ante), the world première of his friend Ottorino Respighi's Maria Egiziaca might have caused more stir last week. Toscanini planned to direct the production. But instead Composer Respighi came. He relegated Philharmonic Symphony players to a dark corner of the Carnegie Hall stage. In their usual place a great gilt-framed triptych stood, spattered with stars and angels. Angels opened the triptych, disclosed three panels rudely painted to suggest a ship docked in the harbor of Alexandria...
...poem in the cycle) 45 performances. Royalties in such cases mount up. Respighi, Stravinsky and the later works of Richard Strauss are expensive to perform. The Philharmonic has to pay $40 each time it plays any one of the Roman poems. (For the privilege of Maria Egiziaca's première, the Philharmonic paid $500.) If the performance is broadcast, Columbia Broadcasting has to pay nearly as much again...
...Wozzeck will be given by the Philadelphians in Manhattan Nov. 24. At its U. S. première in Philadelphia last year many a critic pronounced it the most important opera since Pélleas et Mélisande. It tells a sordid tale of murder done a woman who preferred a swaggering drum-major to a downtrodden, pasty-faced soldier. Composer Berg's score is as powerful as it is radical...