Word: prequel
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...BEST THING that I can do here is to pile on the kudos and to try to explain Gargantua to the curious and the hyperanalytical. The script is based on Pantagruel, a book written by Rabelais in 1532, and its subsequent prequel, Gargantua, written in 1534. Watson, a Medieval History and Literature concentrator, turned it into a script with a little help from his tutor...
...locale is a crucial character, the pace is measured in eye drops, and everyone on both sides of the camera aspires to the ordinary. As playwright (The Trip to Bountiful) and screenwriter (Tender Mercies), Horton Foote has backpacked over this terrain for two generations. On Valentine's Day, the prequel (though not the equal) of last year's 1918, marks one more stroll through Foote's family plot. Again we find the Vaughn and Robedaux families forcing smiles and small talk as the Great War rages 5,000 miles from their southeastern Texas town. Again we see Horace Robedaux (William...
Along with Rick Redfern and Joanie Caucus, little Timmy, a twelve-minute-old embryo, is a character in a recent Doonesbury comic series. The sequence, entitled Silent Scream II: The Prequel, pokes fun at the recent antiabortion documentary Silent Scream. But readers of the 835 newspapers in which Garry Trudeau's comic strip appears will never meet little Timmy. Last week Trudeau withdrew the six strips after discussions with his distributor, Universal Press Syndicate. "We thought the sequence was done well," said Lee Salem, editorial director of Universal. "But we finally decided that the whole question of abortion...
...disc jockey narrator spins out the tale of a young girl who dreams of becoming a pop singer. Her father is a Harlem minister, her mother a traditionalist who believes the only good music is God's music. This becomingly naive plot--a black Jazz Singer or a prequel to Dreamgirls--is sturdy enough to support a dozen or so knockout gospel singers, with a spirit that cradles the audience in its communal warmth. Steve Williams leads the Reach Ensemble with dervish vitality; Terry Myrick and Gaillou emerge from that choir to perform prodigies of soul stirring; and Octavia Lambertis...
That radiance is fully celebrated by Levine. At 41 already a brilliant conductor of Parsifal, he views Lohengrin as a kind of musical prequel to Wagner's last work. He adopted a daringly slow _ tempo for the Act I prelude, letting it burn with a fervid religiosity, but gave the chorus and onstage "brass players thrilling free rein in the opera's frequent boisterous moments. Levine has mastered the sense of timelessness so crucial to successful Wagner performances in general, and static works like Lohengrin in particular; one looks forward to the day, two seasons hence, when...